I heard this on the radio yesterday and the phrase “Pure Synth” popped into my head from nowhere. It has been my earworm ever since and to these ears is a joyous 5 minutes of pop music. I think there are no other instruments used than synthesisers, I’m no expert and of course Alison Moyets voice. So can we have a chat about pure synth? Good thing? Bad thing? Best and worst examples? 80’s, non 80’s.
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Yeah, weird looking dudes poking keyboards had been a thing for a while, but that early 80s period was the next level: full immersion bleepybloop. And so often bolted to irresistible chart-conquering tunes, so the acousto-Canutes were helpless before its onrushing sine waves..
Yes the early 80s saw the synth really come of age not as anything exotic, but an instrument just like any other. Here’s a yearning slow burner.
https://g.co/kgs/WiyASm
Synthpop gets a thumbs up from me.
Vince Clarke has always had a wonderful knack of writing excellent pop songs. Here’s another fab floorfiller.
I haven’t much interest in synth pop. None of the above songs (or bands) appeal. The only 80s synth pop band I have much time for are Tears For Fears. I still find it amazing that a band who were perceived as light, fluffy, pretty-boy synth pop stars made their debut with such a dark album about Arthur Janov’s primal scream therapy. Can’t imagine One Direction coming up with a song like Ideas As Opiates.
Love synthpop.
Having a bit of a Pet Shop Boys frenzy at the moment – this remix is my current, er, ‘banger’:
Love a bit of synthpop. Ultravox anyone?
https://youtu.be/lrSM9-RPkNs
Only if it’s John Foxx Ultravox. Systems Of Romance is a thing of beauty. Midge Ure Ultravox – meh.
Two different bands – Ultravox! and Ultravox
Like The Pink Floyd (with Syd) -> Pink Floyd (without).
I agree on Systems of Romance. I like bit of both versions of the band. Foxx’s Metamatic has much to recommend on the synthpop front as well… (Underpants!)
During the 80s I pig-headedly stuck to the Queen maxim “No synths”.
I thought I was being really clever despite having a stack of Depeche Mode LPs.
I have since learned my lesson and appreciate synthpop for what it is.
Daniel Miller founded Mute Records (none more synth?) to release his synth-noodlings with The Silicon Teens.
Ultravox created sublime synth-new romantic-krautrock-electronica
Sleepwalk
Wot, no Tim Blake? Skin up, and settle in:
Thanks @Vincent saw him with Zorch in 74.
I saw him at Glastonbury in 1979 and with Hawkwind a few times. A much undervalued artist in this genre. His work on the Flying Teapot trilogy for Gong is masterful. Still sounds brilliant 45 years on.
Sorry @Vincent he wasn’t with Zorch my mistake. Think you’d enjoy them too. Basil Brooks from Zorch went on to play with Steve Hillage, hence my confusion.
This:
From the minor masterpiece that is The Golden Age of Wireless, which as a whole isn’t anything like as synth-dominated as you might expect, this:
From Grimsby… the White Russia!
Erasure were excellent at this…Sometimes.
Flock of Seagulls.
So 1982. So second year Sixth form!
Klaus Schulze.
He was the drummer in the very first incarnation of Tangerine Dream, then he was co-founder of Ash Ra Tempel. Then he struck out on his own. Loads and loads of albums and still going strong at the age of 70, although he stopped performing live in 2013.
.
.
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This was possibly the first synthpop hit.
Unsurprisingly, love synths. As I mentioned on the other thread last night, thanks to @minibreakfast I’m once again obsessed with a-Ha. This is a classic for a reason. Morten Harket had such an incredible, incredible voice, and this is such a surprising song when you really listen to it. Familiarity makes it seem inevitable, but from that quite dark, almost sinister opening to the sudden jauntiness of the riff to burst of glory that is THAT chorus. The sheer range of the chorus melody! Who does that? Fucking amazing.
This has haunted me for 32 years. I agree in thinking that it’s the way his voice goes up that finally makes it so truly unearthly. And what does “Take On Me” even mean? It’s mad!
Special mention here for The Living Daylights here, a brilliant tune.
It is, isn’t it?
I’m having a crack at Scoundrel Days tomorrow. That’s got Manhattan Skyline and Cry Wolf on it, which are also insanely great.
TLD is brilliant partly because it’s so obvious that they clearly understood – and loved – the idea of doing a Bond theme when it wasn’t at all fashionable to do so, and rose spectacularly to the occasion. Whoever had the idea of asking them deserves a pat on the back.
Dismissed early doors by me cos of his dreamboat status, I couldn’t have been more wrong. Morten’s vocals are astounding. He also said that he lived in London quite happily at the height of his fame. He said he just avoided eye contact as he walked down the street.
Speaking of Morten, any excuse to post this.
https://www.youtube.com/watch?v=afY4v0y4fL4
Another vote for the wonderful A Ha. National heroes in Norway and quite rightly so.
And a thumbs Up to you Bob for posting that hilarious clip.
Don’t miss the eccentric mellow reworking of Take on me at the end of that clip.
Blimey they’ve aged well. And Morton’s voice still great.
I love how he’s just rocked up in jeans and a nice jumper and still looks beautiful. The bastard.
In a very healthy way, we are interpreting “synthpop” very broadly.
I’m not sure whether Frenchman M83 qualifies. But I’m posting this anyway as I think it’s a magnificent, uplifting pop song.
….lovely
Gary Numan was the first to really hit the mark with synths. I was at the right age and I wasn’t fully committed to the punk stuff I was pretending to like. So if I had a pure synth classics playlist pre-synthpop explosion it would have been:
Dr Who theme
I Feel Love
Popcorn
Autobahn
Oxygene
Magic Fly
Supernature
Yep, it was Numan that heralded the new dawn round ours. Specifically that sustained first note on Cars (after the little wobbly bit right at the beginning). Then, later something like Love Action by The Human League had those different overlapping melodies and noises over the throb of a synth bass – as the right honourable Mr Amitri says, pure synth.
For a while there, the British Broadcasting Corporation was running ads for Roland equipment at 7.20 every Thursday night..
“Dr Who theme”
Strictly speaking, the Delia Derbyshire version wasn’t played using synths, as there simply weren’t any back then.
Anything from OMD’s first album does it for me – beautiful, pristine music. Almost may be my favourite.
A & M is brilliant. That’s worth saying.
As late as Talking Loud & Clear the dancing geography teacher was putting the ball in the back of the proverbial.
The thing about OMD is that they are really good “traditional” song writers who happen to use mainly synths. Even their most “difficult” album Dazzle Ships only breaks away into bleepy silliness for a minute or two at a time and then it’s good songwriting again.
Underrated man. Even before he left Ultravox! he’d written enough brilliant songs to be carried through the streets of Chorley on a sedan chair for the rest of his life. Then he did this…
Underpants!
Despite the stupid comment, there is a lot to like with Mr Foxx
Sean Bean/John Foxx. Separated at birth.
I really like the albums he did a few years ago with the Maths and the Belbury Circle. I think the first one is called Interplay and the latter Empty Avenues. I find them even better than his early stuff.
Similarly, Gary Numan’s last couple of albums, Dead Son Rising and Splinter are really good too. Looking forward to his new one which is out in the next week or so.
By contrast, the rather low-key, melancholic Junior Boys from Canada.
Dance music for dancing in the corner by one’s self?
Referring to the OP, State Farm by Yazoo is another one along the same lines as Situation. Amazing stuff. Moye doesn’t depend on synths alone, obviously, but I think it’s certainly something Vince Clarke has perfected. He acknowledges that he is a control freak – which is why he didn’t like the democratic nature of being in a band – and synths allow you to put together the whole thing. Live performance is rarely the dream. I am sure there are “air synth” players but that’s incredibly sad I think.
Travelogue from beginning to end.
A selection from me
https://www.youtube.com/watch?v=WGYbhSmuZMo
My synth pop indulgence is Scritti Politti – I bet Green is mighty embarrassed at this outfit:
This has always been a favourite and Peel had them for a couple of sessions.
“Interestingly” (in quotes because it isn’t really), I can’t see any of the links embedded in this post. I’ve tried two different operating systems and two different browsers. Fascinating, I’m sure.
Would someone be so kind as to post a link to ‘Seconds’ by The Human League? It’s my favourite of theirs.
Me too. I’ve logged back in to see what people had to say and what has been posted. Now can’t see the vids………
Yes, and tapping the blank spaces where they should be just takes you directly to them on YouTube.
It’s a futuristic embedding thing being tried out by the admins. Just think about the song and it embeds. Press below ( takes about 100 taps) and you get Bowie singing The Robots with Kraftwerk on German TV (Jurgen’s Crazy Banana! Show ) in 1977.
Thank goodness it’s not just me that’s having this problem. But why?
I could give you the answer, Lemonhpe, but if I did that then where would that leave wondering?
http://www.dailymotion.com/video/xhmyo
I could give you the answer, Lemonhope, but if I did that then where would that leave wondering?
http://www.dailymotion.com/video/xhmyo
OMG – i can see this – what is happening???!!!
I was listening to an 80’s Synth Spotify playlist someone had put together today and it included “Boys” by Japan. It made me wonder who first thought of adding a bass guitar to a pure synth sound. It rally works to these ears……..
You mean Quiet Life.
Chooooooooooooooooooooooon.
Of course I do, Edit where are you??
I will say only one word about Mick Karn:
Boooo-DOWWWWWW!!!
I’m having the same problem re the “not seeng anything.”
So I can’t see if anyone has posted anything b-movie.
Probably not.
Is this Nowhere (Girl) to be seen?
Great song. Not sure about the vid though…
Oh no.
Our blog has broken the internet again!
You remember that heated debate about YouTube clip threads…? Were we warned?
It’s cos Bri Cameron used up the site’s Rod Stewart clip allowance for the entire 21st century…
…but I still don’t think he’s sexy.
I was surprised to discover yesterday, via an old Jonny Trunk “OST” podcast episode that Ron Grainer’s theme music for “Tales Of The Unexpected” features rather a lot of synth behind the saxophone melody.
{invisible link}
{end of invisible link}
Moose The Mooche…
Fabulous audio quality on the above, Fenton Steve. Please explain.
P.S. Mike _H . I love the invisible ink touch. Class.