25/04/2025

Pentangle: The Albums: 1968-1972 boxset to be released on vinyl for the very first time via Svart Records on 16th April 2025

1968 to 1972, saw the release of 6 studio albums from Folk’s first supergroup Pentangle. Featuring the songwriting talents of guitarists Bert Jansch and John Renbourn, alongside bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee, their innovative folk-fusion encompassed elements of jazz as well as pop, which left a lasting influence and legacy.

The first 5 albums were released on legendary Folk label Transatlantic, while Solomon’s Seal (1972), on the Reprise label, was their final album with the original line-up.

Now for the first time ever, these albums are available as a 14LP deluxe box set. Each album has been expanded with a wealth of bonus material, including choice selections from contemporaneous solo LPs by Bert Jansch and John Renbourn, out-takes and live tracks. Across the package, there is an impressive amount of 22 recordings which are previously unreleased on LP. Some of the albums are being reissued on vinyl for the first time in decades with Solomon’s Seal last being released as an LP in 1977, shortly followed by Reflection in 1980.

Each » Continue Reading.

23/11/2024

My monthly vinyl playback sessions in the village cafe were paused in early 2020 by the great unpleasantness. The cafe is pretty small and is a lot busier since then, and I’m immunosuppressed so not keen on enclosed spaces packed with people and their germs.

One of the old hospital buildings has been renovated as a not-for-profit community resource with office space, meeting rooms, a yoga/dance studio, a microbrewery, pizzeria, cafe/bar and stage.

It is “soft-opening” tomorrow and Saturday, with the full opening in January.

I’m going to be playing records on a Rega Planar 3 from about 3pm until a DJ takes over at 6pm. We were supposed to be having live music in the evening, but the drummer double-booked himself. Insert your own joke about drummers and time-keeping here.

Anyhow, Saturday’s theme will be… Compilation Albums.

I will buy a cuppa for any AWers who turn up and introduces themselves.

In a longstanding tradition dating all the way back to 2021, the release of an Eisenhowers album is followed shortly thereafter by a collection of songs which, for one reason or another, didn’t quite make the final cut. In an alternative universe sometime in the 80s, these might have ended up being part of a double album, maybe with a gatefold sleeve designed by Hipgnosis, or whatever. ‘Infodemic’ is the companion piece to last year’s ‘Nudge Unit Blues’ (described by one reviewer as ‘deliciously sour’). The 11 songs in this collection lean heavily into some formative 80s influences like Simple Minds, David Bowie, Bill Nelson, Gary Numan and Japan. It’s available on Bandcamp and all the usual streaming services.

Just putting it out there… Twang rereleases are like buses (etc)

You saw this back in 2020 when some were quite nice about it. Well, due to, ahem, distribution problems it had to be withdrawn but now it rides again. Some tracks were rewritten, some just had a few tweaks to the mix. But I like so here it is.

Bandcamp: https://jonathanroberts.bandcamp.com/album/locked-down

Spotify:

I’m delighted to say that the crowdfunder / purchasing opportunity for Mike Butler’s latest volume in his eight-book series ‘Sounding the Century’ – on 1950s-70s British/Irish folk music producer Bill Leader and his circle of characterful associates – is now ‘live’.

As Mike has been abroad, with most of his sales in Britain/Europe, I’ve taken on the responsibility of organising the printing of the book and the mailing out to purchasers, and Norman Boyd – newly freelance designer, highly recommended – has very kindly handled the typesetting etc.

We’ve added two extra ‘rewards’ for those wishing to help Mike towards a fifth volume (I am taking zero monies from the enterprise – after costs, it all goes to Mike): a limited edition revised-packaging repress (50 units) of 70s folk-rockers Hunter Muskett’s 2014 comeback album ‘That Was Then…’ (the last album Bill produced); and a totally exclusive 68-page book by me (50 units), being an enhanced ‘lost chapter’ of my book on uilleann piping, focused on Bill’s adventures in that area.

More info, and a video message from Mike, in the link in the comments. 🙂

26/07/2024

With thoughts of long-gone AWer James Blaast, I notice Chrysalis Records are releasing remastered albums The Cutter & The Clan and Once In A Lifetime (Live) as a 2CD set, or just the studio LP as a Barry Grint half-speed master.

I first heard Once In A Lifetime in my first week at university, the first I had heard of Runrig.

Years ago, I worked with the now head of Chrysalis back catalogue on a Furniture CD. And their recent reissues from the Specials, Selecter, Sinead O’Connor, Blue Aeroplanes, etc have been magnificent.

Limited Edition 11CD+DVD Set. For the first time ever, fans can experience the timeless magic of Fairport Convention’s ‘second golden age’ all in one place with this meticulously crafted and comprehensive 11CD and DVD deluxe boxset ‘It All Came Round Again: Onstage and On Air 1982-90’. The set includes over 160 tracks, 57 of which are previously unreleased recordings.

Also included in this limited edition set is a replica festival programme signed by Simon Nicol, Dave Pegg, Dave Mattacks and Richard Thompson. This bespoke Madfish offering, curated by Bert Jansch/John McLaughlin biographer Colin Harper, is the definitive tribute to the legendary British folk-rock band’s enduring legacy.

The Fairport Convention legend was forged between 1967 and 1979 – 12 years, 16 albums, umpteen line-ups and four exhausted people at the end of it. In August 1980, the last line-up – Simon Nicol, Dave Swarbrick, Dave Pegg and Bruce Rowland – reunited for a day in a farmer’s field in Cropredy, Oxfordshire, establishing the iconic ‘Fairport’s Cropredy Convention’ festival in the process. Five relatively quiet years passed by before, in 1985 and by popular demand, a new recording and touring Fairport Convention assembled around Peggy and Simon. Everything moved up » Continue Reading.

18/02/2024

There is no way of doing this that doesn’t seem ridiculous, but here it is… my friends Barry Devlin and Cormac O’Kane have made a documentary about me and my ‘world’. In a way, it has spun off (out of any normal sense of reason) out of the 35-disc Horslips box set that I curated for Madfish, released early last year.

Barry (Horslips alumnus, later an adventurer in the world of TV and film – scriptwriting, U2 promos, documentaries etc.) didn’t know me before that process. He didn’t know Cormac either – Cormac, an old friend of mine who has tolerated/aided/abetted my adventures in music recording for nearly 30 years, had mastered the Horslips box set.

Barry seemed to find our circle to be fun… and around June last year he decided that the world needed this documentary and set about creating it. Somehow, he convinced BBC NI to acquire it – and then convinced technological wizard and can-do man Cormac O’Kane to direct it, with Cormac’s mild-mannered studio sidekick Richard Brown roped in as editor. The whole thing has been made on wings, prayers and enormous goodwill. My contribution was organising a couple of interviews/performance things » Continue Reading.

Absolutely nobody needs a new podcast to listen to BUT if you have a few idle moments to spare, may I recommend mine, Can I Pod With Madness, a nostalgic trawl through old issues of (mostly) Kerrang, (occasionally) Metal Hammer and (in one instance) Q. Lots of tangents, barely any musical knowledge, and way too many mentions of Chris DeBurgh on a podcast that’s supposedly about metal, but we’re certainly having fun doing it.

(If you want to check out actual pages from the magazines you can see all that stuff on our instagram, without having to listen to us argue about where my copy of Rock Aid Armenia version of Smoke on the Water ended up).

01/12/2023

‘This utterly engrossing feast focuses on the ‘golden period’ of British jazz, when boundary-breaking and experimentation first broke through. Featuring large sleeve reproductions (both front and back), period reviews, historical overviews and vintage music press adverts, Labyrinth finally puts this music on the pedestal it rightly deserves’ – Jon Newey (editor, Jazzwise)

LIMITED EDITION BOOK NOW AVAILABLE FOR PRE-ORDER!

BEAUTIFUL, EXCLUSIVE MICHAEL GARRICK COLD MOUNTAIN POSTER (REPRODUCING A LONG-LOST 1972 DESIGN) WITH THE FIRST 100 ORDERS!

Labyrinth is a massive hardback book, 375pp in length, printed on high-quality art paper, with an embossed cover and cloth quarter-binding, written by Richard Morton Jack (Galactic Ramble, Psychedelia, Nick Drake: The Life).

It celebrates over three hundred albums, offering detailed background info about each, alongside excerpts from original reviews and masses of high-quality images that reproduce their fabulous artwork and labels at near-full size. It also features a fascinating introduction by Tony Reeves (Mike Taylor Quartet, New Jazz Orchestra, Colosseum etc).

Covering abstract jazz, avant-garde jazz, serial jazz, free jazz, Indo-jazz, jazz-rock and more, it tells a story Britain should be proud of: open-minded and creative musicians pushing the boundaries of their art in the face of penury and indifference, and » Continue Reading.

BLURB:

Following their 25-year CD anthology The Weather at World’s End: 1997–2022 (Talking Elephant, 2023), Colin Harper’s Legends of Tomorrow release a new single, ‘The King is Dead (He Told Me Himself)’ (written by Colin) – ahead of the Northern Ireland studio supergroup’s first ever concerts, in December.

‘The King is Dead’ features a galaxy of Northern Irish music and media personalities: Mickey Rafferty (The Minnows) on vocals; Dave McLarnon (Shock Treatment) on backing vocals; Colin Harper on acoustic guitar; Linley Hamilton (Irish jazz colossus and broadcaster) on trumpet; Brian Houston (solo artist) on lead guitar; Cormac O’Kane (ex-New Brontës / award-winning recording engineer) on piano; Ali Mackenzie (solo artist/sideman of many) on bass; and Feargal O’Kane (ex-New Brontës / award-winning BBC NI arts TV producer) on drums.

All have recorded as Legends of Tomorrow many times before, and most will be involved in the December concerts, to be filmed by director Barry Devlin for an independent documentary for BBC NI.

About the song:

Colin Harper: ‘Brian Houston is one of my oldest friends in the » Continue Reading.

As mentioned elsewhere on the AW, my unusual ‘studio ensemble’ the Legends of Tomorrow (the name a throwaway bit of tongue-in-cheekery in 1996) released The Weather at World’s End: 1997–2022 earlier this year. Fifty musicians/singers were featured on the album, almost all from Northern Ireland.

Well, Barry Devlin has decided he needed to make a documentary about the Legends/me, so in short, around 25 of us are staging our first ever, and likely only, concert on 7 December, in Belfast – to be filmed for excerpting in the doc and, of course, a live album. My long-time collaborator Cormac O’Kane will be on lights/camera directing and his trusty sidekick Richard Brown will be on sound.

The concert will feature 25 fabulous musicians – albeit not onstage at the one time – including singers Lyndsay Crothers (Wookalily), Barry Devlin (Horslips), Anna Grindle (also on alto sax), Janet Henry, Bruce McClements (ex-Strawman), Helen McGurk, Dave McLarnon (Shock Treatment), Tíona McSherry (ex-Tamalin), Alison O’Donnell (ex-Mellow Candle), Mickey Rafferty (The Minnows) and Peter Wilson (Duke Special) (also » Continue Reading.

16/10/2023

BLURB:

Terri Hooley about to celebrate his 75th birthday. He’s the record shop champion and the guy that gave critical help to the Undertones, RUDI, the Outcasts and many others. He’s the subject of Good Vibrations, a popular film and a stage musical. To mark his milestone birthday, Terri talks about radical times, conflict, lucky escapes, messy behaviour and the alternative soul of Belfast.

75 Revolutions is a 144 page book with over 100 photos, many of them unseen or rare. Book dimensions are 261 mm square. Featuring fresh, revelatory interviews with Terri and his friends, and a foreword from the Hooleygan himself.

Stuart Bailie is a music journalist, former Assistant Editor of NME and a long-time Terri associate. He has reached into his archive of interviews and Hooley adventures to find reason in a turbulent life. No other story spins out like 75 Revolutions.

24/11/2023

I thought RSD was just one big one this year?

A relatively small list. I’m probably in for The Beat and the Colourfield as I know the bloke at Chrysalis who does the reissues and the recent Sinead, Specials, Selector, etc are all outstanding examples.

And Under The Blacklight is my second-fave Rilo Kiley album.

14/10/2023

I lived through the 1990s in my twenties and remember it as a time of musical shifting sands (and going to gigs six nights a week). I used to support National Album Day but it seems to have become an excuse to rerelease a load of forgettable albums on ‘limited edition’ coloured vinyl. Look at that list! What have they missed? I’ll start with Portishead’s Dummy.

Part 3 in an implausible yet mesmerising and delightfully entertaining series.

PUBLISHER BLURB: This series of books comprises a major social and cultural history of Britain, reflected through the prism of music — mostly folk music. It amounts to a hidden history of both Britain and music, and is part oral history and part incisive criticism, with a fair amount of humour thrown in.

The ten part series is based on the life of 90-year-old Bill Leader, the prolific sound engineer and producer, who was the first to record Bert Jansch, the Watersons, Anne Briggs, Nic Jones and Connollys Billy and Riognach, and among the last to record Jeannie Robertson, Fred Jordan and Walter Pardon. Bill straddled the golden age of traditional singing and the folk revival. He agreed to the biographical treatment if due prominence be given to colleagues who may have since slipped from the world’s eyes.

Through the series, a parade of the great and good come and go. These include Paul Simon, Brendan Behan, Pink Floyd and Christy Moore, all recorded by Bill at one time or another. Secrets, surprises and heresies are rife and something jaw dropping happens at least every four » Continue Reading.

Back cover blurb: One of Britain’s pioneering rock’n’rollers, Duffy Power emerged from the Larry Parnes stable to become a revered purveyor of blistering R&B, folk-blues and soul in the 60s, creating a now legendary body of work. His only ‘album proper’ was made at the end of his 1959-73 tenure as a pro musician – a self-titled LP produced by Adrian Miller and a clutch of rare singles mixes and unreleased tracks. This work is collected here in full for the first time, with splendid new mastering from Cormac O’Kane.

Colin H extra info: I was delighted to write a 6,000-word essay for this release – a fabulous new presentation of the late Duffy Power’s self-titled 1973 album for the obscure GSF label, superbly mastered on CD from the master tapes for the first time (by that Wizard of Sound Cormac O’Kane, on top form) plus rare/unissued single mixes, three survivors from a projected second LP (two newly mixed from multi-tracks) and one wholly unreleased song/recording, ‘Jumpin’ Jesus’ (also newly mixed from multis)… plus two period demos by songwriter Harvey Shield, of songs recorded by Duffy in these sessions. The 62-minute collection is released by the always excellent prog » Continue Reading.

12/09/2023

If you’re in or around Glasgow on Tuesday night (and not watching the football), this could be a nice way to spend the evening. Three mature chaps singing songs and telling stories in a nice little venue.

02/09/2023

What we need at this point in the steady decline of our country after 13 years of terrible government is a loud, noisy punk album screaming abuse at all and sundry. Happily Section Kase have come along with “Cretinous Behaviour”, 29 minutes and 10 tracks of foul mouthed frustration and rant. It’s a proper punk album of short songs, fast tempos and teenage bad attitude. Full disclosure requires that I reveal that the guitarist is one Twang Jr and two mates – hear the voice of generation Covid after 3 years of being pushed about by an uncaring leadership. Spoiler – they’re not happy.

It’s great fun too – lots of dark humour and bitterly ironic sneering. There are echoes of past punk bands of course, but also fellow travellers such as Motorhead. All good noisy fun.

Grab a copy here and support the good work on Bandcamp

Or stream on all platforms…

Enjoy!

The new Eisenhowers album hits the digital shops today (hard copies are available through Bandcamp, if you still like that sort of thing). The themes explored on ‘Nudge Unit Blues’ are fear, control, corruption, paranoia, superstition and abuse of power. Off the top of my head, I can’t think of anything that has happened in the last three and a half years that would make anyone want to write about stuff like that.

09/12/2023

“After 24 years, Hull’s Fonda 500 are calling it a day with one final performance. We go one last time… with a bang… and then we will bury Simon’s famous hat in The Adelphi Car Park. It will be fun. It will be magical. It will be the end.”

08/09/2023

I know there are Sparklehorse fans on here. Out on 8th September.

“ANTI- Records is honored to share a never-before-heard album by Mark Linkous of Sparklehorse titled Bird Machine.

Originally recorded in 2010 and mixed by Mark Hamilton (who also worked on It’s A Wonderful Life), Mark’s brother Matt notes “great care has been taken to archive and preserve Mark’s music. We are very thankful for Mark and the beauty he brought to this world.”

Sparklehorse was an American indie rock band formed by singer-songwriter and multi-instrumentalist Mark Linkous in the mid-1990s. Born on September 9, 1962, in Arlington, Virginia, Linkous began playing music as a teenager.

Described as an artist who “compelled listeners to heed the beauty of darkness” by Pitchfork, Sparklehorse released many influential records, including the renowned albums Vivadixiesubmarinetransmissionplot and Good Morning Spider in the ’90s, It’s A Wonderful Life and Dreamt for Light Years in the Belly of a Mountain in the early aughts, and a collaborative album Dark Night of the Soul released in 2010.

Throughout his career Mark collaborated with thought provoking artists like Vic Chesnutt, Daniel Johnston, Tom Waits, Danger Mouse, and David Lynch.

While Mark recorded in various studios, collaborating with » Continue Reading.