Author:Daniel Rachel
“This ain’t rock n’ roll…” (TARR) is a polemical history of the use of Nazi imagery and semiotics in rock music, particularly covering the 1970s onward. You get an idea of where it is coming from by Billy Bragg having written the forward (though this is not a topic which invites a dispassionate analysis given the awfulness of what the Nazi’s did, and inspired in others).
TARR documents some grim quotes and style errors by lot of national treasures regarding their complicity and airheadedness about appropriating swastikas, recommending (or at least trying with plausible deniability to consider) right-wing authoritarian leaders, and generally observing that those Nazi’s had a lot of style (which brought to mind PJ O’ Rouke’s observation that “be that as it may be, nobody ever had a sexual fantasy about someone dressed as a communist”).
The author of TARR would not find that funny; as though Nazi ideology is ostensibly not a topic to joke about. But it really is. People laugh at death and that which they fear, “dark humour” being a classic defence mechanism, and over 50 years on, “The Producers” remains a fantastically subversive response to Nazis and the boneheads who » Continue Reading.
























