I confess I’ve never paid much attention to his playing, but I’ll be seeing him in a couple of weeks at this gig, where I guess I won’t have any excuse not to.
Diddley started all that – with Jerome, his ‘maracas guy’ and the subject of a song that Bo wrote, unusually, not about himself: ‘Bring it to Jerome’. Presumably inspired by someone coming to his door saying ‘Delivery of maracas…’
It might be semantics, but I think Colin is overlooked, rather than under-rated. A melodic bass-player, who meshed with the drums. He spurred Andy on. Colin’s songs are all over Skylarking, and whatever their differences, Partridge has said how much he admires Moulding’s songs, like Bungalow and In Another Life.
The late Dave ‘Maha Dave’ Codling, rhythm guitarist with Quintessence was underrated – indeed, so underrated that his erstwhile record label cut him unceremoniously out of the cover pic on this CD-era compo. There were six members of Quin and Dave was unfortunately standing to the left of this photo… Here he is, delivering the goods on ‘Giants’ (1969), with Alan Mostert on lead guitar.
On the subject of the Stones – I always thought Bill was under-rated. It didn’t help that Keith was known to play bass in the studio sometimes (smacks a bit of Macca playing drums and the effect on the way Ringo was perceived) – but Bill would usually play a proper inventive bass player’s line.
I’ll have one of my favourite guitarists of all time, someone who preceded Knopfler with that Strat sound, Tim Renwick of Sutherland Brothers & Quiver.
Back in the 70s in my student days at Birmingham, SB&Q were booked to play in the students’ Union.
I got the gig to review them for the students’ newspaper and got in the dressing room to interview the band before the gig.
Someone else had written a preview and had compared Tim Renwick to Robbie Robertson. He was mightily pissed off rather than flattered by this comparison and then no meaningful interview took place as I repeatedly denied authorship of the offending comments while trying to elicit something other than complaints from Renwick and piss taking from the rest of the band.
Excellent story Carl, and I’m with TR. RR has many strengths but he’s at best an adequate guitarist. And he can’t sing, no matter how much he might pretend*.
Graham Maby.
Joe Jackson’s bassist on most of his tours and recordings. Also a frequent collaborator with They Might Be Giants, Natalie Merchant and Marshall Crenshaw.
George Duke.
Keyboard whiz in Zappa’s early ’70s bands.
Norman Watt-Roy is another brilliant yet curiously ‘unknown’ musician that just came to mind… here keeping/steering the Blockheads in the groove with one of the best bass riffs of all time..
Maybe it’s just a bass player thing – you’re consigned to obscurity if you play bass
Most rhythm guitarists in a band with a lead player, especially if they don’t sing. I accept that is a thing less seldom seen in ye olde rock etc. But there is an argument that they are often the most integral player in the band. Tending to immerse myself most in folk these days, and Scottish folk at that, this is especially true when there is no “other” rhythm section. So players like Jenn Butterworth, Anna Massie, Ali Hutton (when not playing pipes or whistle), Innes White are the most important players in the set up, even when a wild soloist is diddling over their top.
I haven’t. Butterworth is one busy woman: she seems to gig every day of the year, in one combo or another. She is certainly the focus with Pound’s Day Will Come and Kinnaris, with whom I have seen her. The duet album with Pound is superb.
I dunno, Yesterday’s Men was as good a single as anything they recorded with Mike. I even like I Pronounce You from their ill-fated The Madness phase.
Barso was indeed the brains of the outfit but I think as a songwriter, saxophonist, Lee Thompson is actually the underrated member of Madness.
And while we are here, secretly, they also had one of the best rhythm sections in pop too.
For AC/DC, I would say Phil Rudd rather than Malcolm. A lot of the greatness of those early records is in the beat, and I don’t think it’s as easy as it sounds.
The other two members of the Esbjörn Svensson Trio, i.e bassist Dan Berglund and drummer Magnus Öström.
Esbjörn was the trio’s writer and leader, but their playing as a trio was positively telepathic.
A brilliant player and songwriter. One of the first Green-era tapes I had was Live in Boston, and was only later I realised how much of the playing that blew me away was actually Danny rather than Peter.
Some stunning playing towards the end of this tune, which I think Peter Green thought was Danny’s best
Maybe not in the spirit of the original post but I’ll nominate Dave Ruffy. While I’m not familiar with much of his work with the Ruts, I’ve seen him with Aztec Camera, the Waterboys, the Daintees and Edwyn Collins band. I’ve seen all of these bands multiple times and in every case would regard the iteration with Dave Ruffy on drums as their best.
On a more niche note Keith Donald in Moving Hearts never got the limelight he deserved. His contributions always made the live shows for me.
Jim Lea. Noddy and Dave are the public perception of Slade, and there’s absolutely nowt wrong with that, but Jim was the musical heart of the band, and very gifted.
Not ‘back’ just ‘guesting’.
I saw them last week as DM had returned, I must admit I had a very enjoyable night. DM’s drumming was excellent his drumming on Matty Groves particularly, for a small chap he packs a wallop, certainly put some oomph in their oeuvre.
This is from someone who said he would never bother seeing them again.
Almost enough to make me consider reneging on my never going back to Cropredy stance. Again, at that. But the line up this year isn’t the dogs bollocks, it’s just bollocks.
Cliff Burton – Metallica missed his musicality (yes, there is musicality in thrash metal)
I’ll take your word on that one.
A genre I could never get on with.
Glen Matlock. Talk about kicking the golden goose out with the bathwater. Something like that, anyway.
I confess I’ve never paid much attention to his playing, but I’ll be seeing him in a couple of weeks at this gig, where I guess I won’t have any excuse not to.
https://www.thelexington.co.uk/event.php?id=1783
Wotjek.
Interpretive dance is like, really important.
See also: Bez, Barry Mooncult and Jed.
Diddley started all that – with Jerome, his ‘maracas guy’ and the subject of a song that Bo wrote, unusually, not about himself: ‘Bring it to Jerome’. Presumably inspired by someone coming to his door saying ‘Delivery of maracas…’
Thanks, Colin. Every day is a school day on the AW.
Jed is the true underrated pioneer, for not even playing maracas. Or chains. His were mental.
Don’t forget James Maker as well!
Ringo Starr. The butt of many a joke but he must’ve been doing something right.
Rick Wright, the creative genius behind Pink Floyd’s distinctive sound.
Andy Rourke. At his best, a McCartneyish Manc maestro
Good call @slotbadger
Part of a fab section too
Colin Moulding.
He wrote many of XTCs best loved songs.
As he sang most of their biggest hits at least early on he may be more well known than the other guy
It might be semantics, but I think Colin is overlooked, rather than under-rated. A melodic bass-player, who meshed with the drums. He spurred Andy on. Colin’s songs are all over Skylarking, and whatever their differences, Partridge has said how much he admires Moulding’s songs, like Bungalow and In Another Life.
Graham Coxon. Blur and Damon never as good without him on board
Who underrates him? Most think he is pretty crucial
I think it’s Noodle, 2D et al who are underrated. Gorillaz are a better band than Blur.
Niopha Keegan. Not at all underrated by the Unthank sisters who have wisely kept her in the team almost from Day One.
Dr Avalanche – has never been allowed a drum solo. Not once.
@salwarpe
Always thought Dr. A was a shoe-in for the Rolling Stones
After Charlie died
ROFLWMFITA
Talking of shoe-ins, is is true Charlie never wore a pair of socks more than once, when on tour?
Yes. For a brief period, I worked as his sock roadie.
*shoo-in
The late Dave ‘Maha Dave’ Codling, rhythm guitarist with Quintessence was underrated – indeed, so underrated that his erstwhile record label cut him unceremoniously out of the cover pic on this CD-era compo. There were six members of Quin and Dave was unfortunately standing to the left of this photo… Here he is, delivering the goods on ‘Giants’ (1969), with Alan Mostert on lead guitar.
On the subject of the Stones – I always thought Bill was under-rated. It didn’t help that Keith was known to play bass in the studio sometimes (smacks a bit of Macca playing drums and the effect on the way Ringo was perceived) – but Bill would usually play a proper inventive bass player’s line.
Great shout on DK @h2triple. I’ve always said that Bare Trees and Future Games are as good as anything the band did later. His playing blossomed.
I’ll have one of my favourite guitarists of all time, someone who preceded Knopfler with that Strat sound, Tim Renwick of Sutherland Brothers & Quiver.
Used to love seeing him in the Bucket Boys when I lived in Cornwall.
Great shout – need to check out more of this – merci
Back in the 70s in my student days at Birmingham, SB&Q were booked to play in the students’ Union.
I got the gig to review them for the students’ newspaper and got in the dressing room to interview the band before the gig.
Someone else had written a preview and had compared Tim Renwick to Robbie Robertson. He was mightily pissed off rather than flattered by this comparison and then no meaningful interview took place as I repeatedly denied authorship of the offending comments while trying to elicit something other than complaints from Renwick and piss taking from the rest of the band.
Excellent story Carl, and I’m with TR. RR has many strengths but he’s at best an adequate guitarist. And he can’t sing, no matter how much he might pretend*.
* I’m biased by Levon Helm’s book…
Bryan MacLean who was a member of Love was greatly underrated by the band leader Arthur Lee.
Graham Maby.
Joe Jackson’s bassist on most of his tours and recordings. Also a frequent collaborator with They Might Be Giants, Natalie Merchant and Marshall Crenshaw.
George Duke.
Keyboard whiz in Zappa’s early ’70s bands.
Graham Maby is a good shout.
Really is. We have a winner.
Agreed
Maybe.
Good call!
Graham Maby is also lead vocalist on the Joe Jackson track “Beat Crazy”.
Norman Watt-Roy is another brilliant yet curiously ‘unknown’ musician that just came to mind… here keeping/steering the Blockheads in the groove with one of the best bass riffs of all time..
Maybe it’s just a bass player thing – you’re consigned to obscurity if you play bass
Did the same brilliant job for Wilko later.
Not underrated by me, which I’m sure he’ll be pleased to hear!
This is an ace baseline. Not a chance I’d ever be able to come up with something like that.
#rootnoteplodder
Most rhythm guitarists in a band with a lead player, especially if they don’t sing. I accept that is a thing less seldom seen in ye olde rock etc. But there is an argument that they are often the most integral player in the band. Tending to immerse myself most in folk these days, and Scottish folk at that, this is especially true when there is no “other” rhythm section. So players like Jenn Butterworth, Anna Massie, Ali Hutton (when not playing pipes or whistle), Innes White are the most important players in the set up, even when a wild soloist is diddling over their top.
Four very accurate hits there. Have you seen Ryan (very) Young with Jenn Butterworth? A couple of dervishes at play there.
I haven’t. Butterworth is one busy woman: she seems to gig every day of the year, in one combo or another. She is certainly the focus with Pound’s Day Will Come and Kinnaris, with whom I have seen her. The duet album with Pound is superb.
Ed Sheeran’s Boss RC 20XL looper pedal
arf
Sam Clayton, congas & bass vocal with Little Feat.
Come to think of it, Paul Barrere, 2nd guitar and Kenny Gradney, bassist too.
Surely none of these three are under-rated?
Possibly Barrere could be too well-known for this.
Still think Gradney & Clayton are good shouts.
Maybe it’s because I play bass – so Gradney is a Hero…
So we’re back with Clayton again!
Mike Barson. If nothing else he’s the reason I learned to play the piano. I still want to be him.
And look what happened to the Nutty Boys when he left.
I dunno, Yesterday’s Men was as good a single as anything they recorded with Mike. I even like I Pronounce You from their ill-fated The Madness phase.
Barso was indeed the brains of the outfit but I think as a songwriter, saxophonist, Lee Thompson is actually the underrated member of Madness.
And while we are here, secretly, they also had one of the best rhythm sections in pop too.
For AC/DC, I would say Phil Rudd rather than Malcolm. A lot of the greatness of those early records is in the beat, and I don’t think it’s as easy as it sounds.
Simon Nicol. Fairport’s other guitarist.
The other two members of the Esbjörn Svensson Trio, i.e bassist Dan Berglund and drummer Magnus Öström.
Esbjörn was the trio’s writer and leader, but their playing as a trio was positively telepathic.
Yes, indeed – good call.
Certainly in the early days definitely added to the sound.
Bit more to the fore from the 70s.
Yes, yes and yes again for Danny Kirwan
A brilliant player and songwriter. One of the first Green-era tapes I had was Live in Boston, and was only later I realised how much of the playing that blew me away was actually Danny rather than Peter.
Some stunning playing towards the end of this tune, which I think Peter Green thought was Danny’s best
Good find — thanks
This track by Swedish band The Amazing is inspired by/a tribute to Danny Kirwan:
(The Kirwan Song – The Amazing)
found this – youtube is a goldmine sometimes.. 🙂
Maybe not in the spirit of the original post but I’ll nominate Dave Ruffy. While I’m not familiar with much of his work with the Ruts, I’ve seen him with Aztec Camera, the Waterboys, the Daintees and Edwyn Collins band. I’ve seen all of these bands multiple times and in every case would regard the iteration with Dave Ruffy on drums as their best.
On a more niche note Keith Donald in Moving Hearts never got the limelight he deserved. His contributions always made the live shows for me.
Jimmy Dewar – after Lulu & The Luvvers, Stone the Crows and (I think) a stint with Frankie Miller, he should have become a star with Robin Trower.
Also underrated: Bobby Tench, Scott Thurston and Val McCallum.
Great call on Bobby Tench…
John Deacon. A decent bass player, and a really good songwriter.
What about Miller Anderson, the very definition of a journeyman guitarist and singer? Best known for his work with Keef Hartley, I guess.
was also in the last incarnation of T.Rex
Jim Lea. Noddy and Dave are the public perception of Slade, and there’s absolutely nowt wrong with that, but Jim was the musical heart of the band, and very gifted.
Dave Mattacks. Currently back, for at least the third time and, to all reports, making the old codgers sound like they oughter.
Not ‘back’ just ‘guesting’.
I saw them last week as DM had returned, I must admit I had a very enjoyable night. DM’s drumming was excellent his drumming on Matty Groves particularly, for a small chap he packs a wallop, certainly put some oomph in their oeuvre.
This is from someone who said he would never bother seeing them again.
Almost enough to make me consider reneging on my never going back to Cropredy stance. Again, at that. But the line up this year isn’t the dogs bollocks, it’s just bollocks.
More of a sideman than a band member, but seems to be a top bloke and deserving of a mention on the AW
https://www.theguardian.com/music/2023/feb/28/andy-fairweather-low-jimi-hendrix-sidled-over-and-politely-told-me-youre-in-the-wrong-key