My wife and I walked out of the Squeeze gig at the Albert Hall last night after just under an hour because the sound was unbearable. We had paid £95 each for our seats which were in the perfect spot in the stalls looking straight down the hall from just behind the sound desk, we love Squeeze and have seen them many times, it was the band’s 50th anniversary tour, I’d read the reviews of previous shows and was fully expecting to have a great evening. But the sound was so terrible we both wanted to leave. How can that happen? I’m used to the sound needing to be rebalanced early in a gig and I know that the Albert Hall, even after it’s big upgrade a few years ago, can be a bit tricky but I’ve been to plenty of shows with good sound there. Difford and Tilbrook sounded very good when they joined Richard Thompson and played 3 Squeeze songs there in June. But that was with Richard Thompson’s band and sound crew. Last night, when they came on, only the drums were clearly audible, everything else merged into a sludgy mush. Even Tilbrook’s guitar when he took » Continue Reading.
Is it “right place, right time, enough talent”?
I’m glad someone has pointed the “actors are not geniuses” thing out. Very few modern actors/ actresses appear to me more than a decorative chassis able to remember lines, and as such are soon to be superseded by CGI. I recall reading that Sir John Geilgud had no idea about the Shakespeare he was acting, but he gave it some drama and hoped it worked. I reckon the intellectualising of acting and music raised the art from the more honest “artisan”. Many of our musical heroes become increasingly disappointing the more we learn about their views, and therr atre very few real geniuses – most are a case of right place, right time, right producer, can play/ sing/ dance at bit. There are equally talented folks undiscovered or around at the wrong time for their oeuvre. Furthermore, the idea that our favourite entertainers emerge out of a free market of talent has to be understood in the context of the entertainment industry, and it’s less charming side of movers and shakers, some of whom were as sexually exploitative as Weinstein, so can open out or thwart talent at it’s earliest point. Discuss.
