“The fourth instalment of George Miller’s punky post-apocalyptic ‘Mad Max’ saga feels like a tornado tearing through a tea party. In an age of weightless movie spectacles, here’s a movie that feels like it was made by kidnapping $150 million of studio money, fleeing with it to the Namibian desert, and sending footage back to Hollywood like the amputated body parts of a ransomed hostage.”
As If I Wasn’t Excited Enough Already
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