After a glowing review in this months Mojo about how this Touareg bands guitarist ‘unknowingly’ was channelling the sprit of Hendrix in his desert blues performances thought I’d check it out. The album itself isn’t yet on Tidal, my choice for streaming, but earlier ones are well worth a listen, and this live performance in a yard(?) shows what the reviewer is talking about. Loving the kids reactions when the beat drops (I believe that’s what the yoof call it). Will be playing more for the rest of the day, bringing some sunshine to a dismal Suffolk day!
Erroneous sonic cliches
I’m sitting here (not) studying for an exam later this week. Blagged a day off work and all. On my iPhone at the moment are tracks by John Lennon, George Harrison, Jeff Beck, Jimi Hendrix and the Beatles (very Classic Rock, I know).
In a desperate effort not to actually learn anything pertinent, my brain has expanded upon a Hepworthian theory that it has previously toyed with: The classic/cliched sound of many artists is not the sound associated wih their most successful or lauded period. Some examples for consideration:
> The ‘classic’ Hendrix guitar sound, the one that has people instantly thinking ‘Jimi’ is a mildly overdriven strat sound, with or without fuzz, fed through a univibe pedal to give that swirling, underwater vibe. Think ‘Band of Gypsies’ In fact, think of nothing but Band of Gypsies, as that was the only place he used this sound, barring posthumous releases, and it’s hardly considered his defining work. It’s the sound that Robin Trower built a career on and numerous guitar effects pedals try to recreate, and Hendrix only used it for a few messy months before he died.
>The classic George Harrison guitar sound is the sound from » Continue Reading.
