Following on from the post on here late last year; I noticed that my local dealer and HMV in York have loads of CDs of pre DSOTM live gigs (many of which I had on bootleg cassettes 30 years ago. I wondered about the 50 year copyright explanation; but that does not explain CDs from Genesis’s Lamb tour or Supertramp post 1973 boots? Perhaps copyright holders are getting ahead of themselves? Can the massive elucidate? Has anyone got any strong recommendations?

https://theafterword.co.uk/?s=spotify+floyd