Chris Rea knew that his record contract wasn’t going to be renewed when the label refused to pay for the return train journey from Middlesbrough to London, in December 1978. He had just about got enough to fund the trip ‘down south,’ so Joan, his wife, said she would pick him up at Abbey Road Studios in a couple of days time and drive him back north. It was less than ideal but, struggling musicians can’t be choosers. Especially when they’re currently banned from driving.
The sessions at Abbey Road were for his second album, Deltics. His debut album had been out for a few months and, while the first single, Fool If You Think It’s Over, had received some radio-play, the album had not done well. It had been expensive to make; produced by Gus Dudgeon, Elton John’s producer, and packed with stars like Rod Argent, Pete Wingfield and Dave Mattacks; so Chris was in substantial debt to Magnet Records until such time as the album generated enough profit to cover the cost. For now, he was being paid a small weekly wage, (welcome to the real world of the struggling artist.)
Joan pulled into the small car park » Continue Reading.
