What does it sound like?:
Non-Stop Erotic Cabaret is the opposite side of the same synthesised coin as The Human League’s Dare, the grubby tails to the polished heads. Released a month apart in late 1981, they have much in common but tell very different stories of the industrial North. Both bands came into being because of a drop in the price of electronic parts, making early Korg synthesisers affordable. Dave Ball and Marc Almond met at Leeds Polytechnic, The Human League hail from Sheffield. Both love Tamla Motown, Soft Cell the frantic Northern Soul end of the catalogue, the Human League the romantic soulful end. They share a sense of melody, a wicked sense of humour and a desire to fill dancefloors. Both created club hit B sides, Memorabilia and Hard Times, and both followed up the parent album with one of remixes, Non Stop Ecstatic Dancing and Love And Dancing. However, whereas Phil Oakey sang with insouciant cool, Almond was sweaty, breathless, constantly gyrating. Oakey’s baritone was sleek and stylish, Almond’s voice wild and expressive. Jo Callis and Ian Burden’s synthesisers sound smooth and silky, Ball’s battered and second-hand. Dare aspired to glamour, dreaming of a better future, Cabaret wallowed in the sordid reality of the here and now.
The amazing thing, listening to it over four decades later, is that Marc Almond was asked to disguise his sexuality by inventing a fictitious girlfriend. The album screams camp S&M. Pre-HIV and AIDS, it is rampant with decadence. The album title and song titles practically foghorn his proclivities: Frustration, Tainted Love, Seedy Films, Youth, Sex Dwarf and that’s just side one. The video for Sex Dwarf is still banned from TV screens today. If Almond was hiding in a closet, it was an entirely transparent one. However, the album would not have been such a success without three bold and beautiful melodies, one of which was borrowed. Ball credits hearing Gloria Jones’ Tainted Love at Blackpool’s Highland Room as a moment that changed his life. Their arrangement certainly changed the life of the song, taking it from Northern Soul obscurity to a global smash, spending a record forty-three weeks in the Billboard top one hundred. It was recognised as the UK’s best selling single of 1981 until a recalculation in 2021 showed it was outsold by, you guessed it, Don’t You Want Me. The other two singles both went top five. Bedsitter is an effervescent ode to the joys of hedonism and the redemptive properties of a hangover. Say Hello, Wave Goodbye is Soft Cell’s finest work. The words are direct but the conflicted emotions are brilliantly expressed by a truly outstanding vocal performance. The producer, Mike Thorne, added a few touches of class. He brought in David Tofani to play sax and clarinet on a couple of tracks but, most importantly of all, he allowed Ball to use his £120,000 NED Synclavier, giving the band a distinct advantage in the electronica soundstakes of the time.
There are six CDs in this box, 96 tracks, 40 of which are previously unreleased or new mixes. Disc one is the album itself, remastered, with contemporaneous singles and B sides. Disc two is largely made up of modern day extended remixes, though Bedsitter is the 1981 twelve inch version. Disc three is radio sessions, rarities and curios from the time. Disc four is new instrumentals, not the 1982 Non-Stop Ecstatic Dancing ones, and some early demos. Disc five is an illustration of the benefits and excesses of the era’s fondness for twelve inch extended versions. It starts brilliantly with the Tainted Love/Where Did Our Love Go medley and the definitive Memorabilia plus another inspired take on a Northern Soul classic, Judy Street’s What, before descending into indulgent experimentation. Finally, disc six captures a live concert from Hammersmith Apollo 2021 and a few other live recordings from 1981. Adrian Thrills writes the story of the album in the booklet, which includes interviews, photos, lyrics, credits. Plus, of course, you can dip your toes by streaming. There are gems all over the set but discs one and five are the places to start and you may be surprised how good the instrumentals are on disc four.
Soft Cell followed up with two more big selling albums, then split until reconvening decades later. Nothing they have done matches Non-Stop Erotic Cabaret but it’s not a millstone weighing heavily round their collective neck, it’s a gold medal of which they are very proud. The Super Deluxe Edition Is well-thought through, avoiding much overlap with the career compendium of 2018, Keychains And Snowstorms, and gives it all the attention it deserves.
What does it all *mean*?
We are left with one important question; can a Dare box best it?
Goes well with…
The dying embers of CDs. The only vinyl version is a 2 LP set
Release Date:
20th October 2023
Might suit people who like…
Early eighties electronica. It was an exciting time, a new decade and a new sound with bands like Depeche Mode, Simple Minds, Heaven 17, New Order, Cabaret Voltaire.
Frustration
Blimey, you’re busy
Surround Blu ray available from SDE….
https://superdeluxeedition.com/news/soft-cells-non-stop-erotic-cabaret-is-the-next-sde-exclusive-blu-ray/
No extended versions, which I really enjoy. However, this is the most cost effective way to own it.
Sold!
I don’t know what the problem is with the Human League, but all of the Dare-era non-album tracks were rounded up on this excellent compilation released in June this year. No physical release, streaming/download only.
https://www.discogs.com/release/27332463-The-Human-League-Dare-Singles-Remixes
Bizarrely, they included Dancevision from the Holiday ’80 EP. Yes, it was on the Canadian ‘Sound Of the Crowd’ mini-album, but it is played by BEF and doesn’t even feature Phil.
You’d think Dare + Love & Dancing + that, in a 4CD box, would be a no-brainer.
I have the 2CD deluxe edition that came out in 2011 or so. It has the album, Non-Stop Ecstatic Dancing as well as some b-sides etc. Great review though this is, I’m not really tempted to trade in, much though I love this album.
If they did a CD Box Set of the singles though, I’d be up for that. Great records. Great artwork. The fabulous Soft Cell indeed.
One of the great band names, I’d say, with its multiple meanings. Suits them perfectly.
That would be good, they did good B-side.
I have the 3CD 12″ single collection, which includes the B-sides, but it misses the single artwork.
Sometimes I wake up in the morning, the sun is in the sky and I declare that Bedsitter by Soft Cell is the best British pop record ever made.
Then a couple of days later I get a stern official letter for not saying its something by The Beatles or The Smiths.
Peak AW comment: I’ve got the 12″.
No man who has the 12″ single of Bedsitter can ever really call himself dull.
I think you’re onto something here @hawkfall
‘Tis a tremendous song.
As is Torch!
I only have that on 7″. I saw a number of Soft Cell 12″ singles in a record shop today, but they were all in the £7-10 price range. I’m more of a £1-2 kinda guy.
I really think you should seek
Out the 12incher
The 6 CD set is a stunning collection, I think. All the bonus tracks are wonderful songs. I note there’s a 2023 version of Tainted Love – how many is that now…?
As a rule I buy everything that Marc Almond wants to sell…so I expect this will make its way to me alongside all of the other albums, deluxe editions of the same albums, compilations (yes, I did buy the 10 CD box Trials of Eyeliner) and live albums I already own.
I’ve yet to be disappointed by anything Almond!
I was like that re Almond until the mid-90s. What would you recommend of his 21st century output to start off with? I never stopped liking his music but I kind of drifted away.
@black-celebration,
I would recommend starting with the Chris Braide collaborations, “The Velvet Trail” (2015), “Chaos and a Dancing Star” (2020) and “Things We Lost” (2022) in that order – the latter has an expanded version with two extra discs of a live concert which is a lot of fun, featuring many of their co-writes but also some Soft Cell songs, covers and some hit co-writes of Braide’s (with Sia and others) interpreted by Almond.
The live show also features Ian Anderson on flute!
I’d also recommend a couple of (mostly) covers albums – Almond is a very good interpreter of songs (if you’re a fan of his voice, which some strangely aren’t).
“Shadows and Reflections” (2017) and “Stardom Road” (2007) are both good.
I also have a soft spot for “Varieté” (2010), especially the 2CD deluxe version where the second CD is acoustic – but not, as so many artists do, acoustic versions of the songs of CD1, but all new songs just in another sonic vibe.
Thanks @locust. I did pick up on Lord of Misrule with Ian Anderson a few years ago. I will delve.
https://youtu.be/lTVrBN7JvPQ?si=_Z_z0LRw932Jns7T