I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
I think I borrowed this from Basingstoke library back in the 80s, and taped it, probably back to back with some Jean-Michel Jarre. They had similarities, though Vangelis seemed to be a more new agey/muzacky in places – almost Mantovani with his use of strings and easy melodies. L’Enfant stood out as closest to the dynamics of Jarre, and this one, I liked for its uneasy lugubriousness:
Apparently “L’Opera sauvage” was a documentary series exploring the relation between man, music and the animals from all over the world – a series of 21 episodes.
The album “Opera Sauvage”, is only a fraction of the hours and hours of music that must have been made for the series.
I wonder if it still out there somewhere. Despite my damning with faint praise, I still have a soft spot for the album.
I think he was pretty special The conquest of paradise is amazing and the stuff he composed with Jon Anderson – The state of independence and I’ll find my own way back home just tremendous over and above Blade Runner and Chariots
You must really hear “Soil Festivities” and “Mask” which are for me the best things he ever did.
Hitting Wikipedia I learn that “Invisible Connections” (an LP I have never heard of, let alone heard) forms, with the above two masterpieces, the third part of a trilogy of similar-sounding records. In which case that is my next purchase.
LIke many people I know him principally from the mighty Blade Runner soundtrack, which really has never been equaled. Nothing before or since has ever been quite like it.
But if we are celebrating the man then let’s go obvious and BIG. Surely no one can deny that Chariots of Fire is a TUUUUUNE….
Irrelevant aside alert: The fact that that film – posh blokes running – was written by the goofy teacher from Kes is an idea I absolutely could not hold in my head back then and still struggle with now.
What I heard of his prog stuff never grabbed me but “The friends of Mr. Cairo” with Jon Anderson still sounds great.
I did enjoy Albedo 0.39…
I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
Blade Runner is in my top 5 films. The Blade Runner soundtrack is in my top 1 soundtracks.
It’s one of my favorite films, and the music here, L’Enfant is just….*chef’skiss*
From ‘Opera Sauvage’, one of his best.
I think I borrowed this from Basingstoke library back in the 80s, and taped it, probably back to back with some Jean-Michel Jarre. They had similarities, though Vangelis seemed to be a more new agey/muzacky in places – almost Mantovani with his use of strings and easy melodies. L’Enfant stood out as closest to the dynamics of Jarre, and this one, I liked for its uneasy lugubriousness:
Apparently “L’Opera sauvage” was a documentary series exploring the relation between man, music and the animals from all over the world – a series of 21 episodes.
The album “Opera Sauvage”, is only a fraction of the hours and hours of music that must have been made for the series.
I wonder if it still out there somewhere. Despite my damning with faint praise, I still have a soft spot for the album.
I think he was pretty special The conquest of paradise is amazing and the stuff he composed with Jon Anderson – The state of independence and I’ll find my own way back home just tremendous over and above Blade Runner and Chariots
how terribly sad. A true pioneer. The Blade Runner soundtrack is the greatest of all time.
Does anyone ever look at the obit thread any more?
Whatever – this (which I posted over there) seems to me to be the most appropriate send-off tune for the big old Greek keyboard God:
I love your music, thanks for all of it.
I heard 666 recently for the first time and found it rather agreeable, after a lifetime of sniggering at Demis.
Vang’ I always liked having heard The Long March at an early age. A very oddly hypnotic record.
Not well known by title but used a fair bit as background music on 80s telly docs
I’m sure Ridley Scott heard that and said ‘We’ll need two hours of THAT, please’.
You must really hear “Soil Festivities” and “Mask” which are for me the best things he ever did.
Hitting Wikipedia I learn that “Invisible Connections” (an LP I have never heard of, let alone heard) forms, with the above two masterpieces, the third part of a trilogy of similar-sounding records. In which case that is my next purchase.
I rather enjoyed the Voices album back in the day. Agree with the general view that his work with Jon Anderson was preferable to his solo stuff
LIke many people I know him principally from the mighty Blade Runner soundtrack, which really has never been equaled. Nothing before or since has ever been quite like it.
But if we are celebrating the man then let’s go obvious and BIG. Surely no one can deny that Chariots of Fire is a TUUUUUNE….
Irrelevant aside alert: The fact that that film – posh blokes running – was written by the goofy teacher from Kes is an idea I absolutely could not hold in my head back then and still struggle with now.
Spare a thought for those of us who remember him as PC David Graham as he struggled to get heard over the top of PC Fancy Smith
Spare a thought for those of us who remember him as PC David Graham as he struggled to get heard over the top of PC Fancy Smith
I still park Terry Venables’s writing career in the part of my brain marked Baker Street.
Graham’s ALIVE!
Nothing wrong with big & obvious.
I love this track.
Can I join in the “post your toppermost Vangelis track”
Pulstar
Harder edged Aphrodite’s Child with some great bass playing from Demis