…how come, when they cover the huge public turnout for Shane McGowan’s funeral procession through the streets of Dublin, they focus on a bunch of street musicians playing a song about Salford written by a Scot – Ewan MacColl – and not a Shane original?
Have they no soul? Are they that slack at their reporting that they didn’t know who the song they featured had been written by? Couldn’t they be bothered to find some guys playing one of his own, rather than a song the Pogues could only be said to have perhaps latterly made their own for casual listeners? Where’s the Reithian rigour when you need it? Sloppy sods.
Harrumph
garyt says
I got into an online ‘discussion’ a few years ago when a Pogues fan argued that Dirty Old Town was an Irish song. I have no doubt the BBC intern tasked with selecting which shots to use also didn’t know the song’s origins.
Junglejim says
I think it was in a Grauniad tribute that it was pointed out (not in snide way, but to give a clear sense of identity) that none of The Pogues were born in Ireland & it was far more accurate to think of them as a ‘London’ band rather than an Irish one.
I think actually this was a valid observation, even though their appeal did spread across the global diaspora & notably in the US.
There are numerous US ‘fans’ who genuinely think ‘Rainy Night In Soho’ is about NYC, however daft that might seem to anybody familiar with the West End.
Max the Dog says
RTE news report this morning had a lady in a short vox pop and, yes, Dirty Old Town was her favourite song by Shane McGowan because it was sung all over the world to give Irish people a sense of home. Truly annoying.
ernietothecentreoftheearth says
Trouble is, the vast majority of people wouldn’t know any other Doctor Feelgood songs. To the point that it wouldn’t be worth playing any of them. Come to think of it, the majority of people probably wouldn’t know any other Pogues/ McGowan song save for FTONY. Seems to be part of the modern world, where many entertainers musicians are far more famous than most, if not all, of their work. Lou Reed, Lemmy and Jeff Beck are other examples that spring to mind.
fitterstoke says
Don’t think Dirty Old Town was ever played by Dr Feelgood…I could be wrong, of course.
ernietothecentreoftheearth says
My post was intended to appear below the one later in thread mentioning Feelgood.
fitterstoke says
Of course! Apologies.
Black Type says
Wait till you hear somebody sing ‘… Waltzing Matilda’ 😉
Rigid Digit says
or The Irish Rover
(still, a welcome change to multiple mentions of Fairytale Of New York)
davebigpicture says
Or ….And the Band Played Waltzing Matilda, written by a Scot who emigrated to Australia
Black Type says
Ahem.
davebigpicture says
On, was that what you meant? Oops….
Vulpes Vulpes says
To be fair to the Beeb, I’ve just watched their fine live stream of Shane’s send-off from St. Mary’s in Tipperary, and they stuck with it well.
Black Celebration says
The Fairytale performance was a bit special. Something in my eye…
https://rte.ie/b/1420857
Tiggerlion says
Absolutely. The eulogies were wonderful too.
Moose the Mooche says
Everyone’s Irish when it suits them. It’s the Neurodiversity of cultural identities.
Black Type says
So it is.
Moose the Mooche says
Begorrah and bejabers. Mind me harp.
thecheshirecat says
It’ll be over there behind the large green felt comedy hat.
mikethep says
I am insult. I am 1/8 Irish.
Tiggerlion says
I am a Catholic born and bred in the North West of England. Of course I’m Irish. 😉
Rigid Digit says
I regularly drink Guinness.
Where’s me Shillelagh?
Black Celebration says
Just don’t be Irish in the wrong place and at the wrong time.
Moose the Mooche says
Like the British Isles any time before 1998….?
fitterstoke says
(I’m not…)
Kjwilly says
Hi, could somebody, maybe @ ColinH , tell me who was in the backing band for Fairytale. I got Lisa O’Neil and Glen Hansard singing, Spider on whistle, I think Terry Woods was there but interesting for confirmation of the troupe.
And I thought Nick Cave’s version of Rainy Night was the absolute business. His Candle In The Wind moment, release it as a single now!
Junior Wells says
Oh please don’t. Just let it be a moment.
Guiri says
Looked like the Pogues themselves to me. Jem Finer and James Fearnley both there as well.
Kjwilly says
@Guiri Thank you
ernietothecentreoftheearth says
To be fair, when is all is said and done, there really weren’t that many Shane originals.
Bamber says
I don’t mean to be rude but some of the posts above are being a bit cheeky about the second generation Irish identity that was real for Shane McGowan, not an affectation. He spent a lot of time in Ireland as a child, grew up immersed in Irish culture and it was where he felt comfortable and found himself. No doubt he was never made to feel fully English and was probably mocked for his Irishness. I didn’t fully accept or understand the Irish diaspora or the second generation Irish thing until I lived in London for 12 years mostly in the 90s. It’s real and it’s at the core of people’s identity in a more real way than some of the footballers who have turned out for the Republic. It’s telling that Shane lived out his later years in Ireland living a low profile life where he felt comfortable. To their credit Ireland’s main TV show the Late Late Show did a tribute to him while he lived. He embodied irish musical tradition irrespective of where he was born and was accepted by Ireland for it, because he was authentic. Had he, or the Pogues not been, they’d have been rejected. As Morrissey put it Irish Blood, English Heart. Shane had an Irish heart to go with his Irish Blood and we embraced him I’m quite indifferent to the Pogues largely because he was a rotten singer and appalling live from early in their career but I value him as one of the best Irish songwriters of my lifetime. I’m glad he got a good send off.
Jaygee says
@Bamber
As the UK-born child of Irish immigrants who chose to make his home in Ireland myself, I think B’s insights into the Irish diaspora are bang on the money.
Kid Dynamite says
I always think of the Pogues as London Irish, not exactly Irish and not exactly British, but something else.
Also worth noting that the Irish musical establishment hated the Pogues.
Moose the Mooche says
Isn’t that just generational snobbery, like the Nashville/C & W indifference to The Byrds/Parsons/Burritos/Submarine band etc?
Jaygee says
Establishment types always fear and hate the generation who will
take their place
Bamber says
Really? The Chieftains who were Irish music royalty always seemed well disposed to them as were the Dubliners and Christy Moore. I saw Shane McGowan on stage with the Chieftains in London and they treated him like royalty. They were hugely popular in Ireland from their first releases.
Who are this Irish musical establishment of whom you speak?
Jaygee says
@Bamber
My comment was referencing kid Dynamite’s use of establishment in his post above.
FWIW, my mental Image of an establishment type would be a fairly well known and widely respected person whose profile significantly exceeded his talent.
Archie Valparaiso says
Oy! That’s no way to talk about Clodagh.
Kid Dynamite says
Don’t think they made any headroads into Irish critical approval until IISFFGWG. There’s a famous clip of Gay Byrne giving them a tough time on the Late Late Show around the time of Red Roses, and they were so pissed off with Planxty’s slagging of them that they wrote a tune about it on the Poguetry In Motion EP
seekenee says
there was a press conference at RTE between the Pogues and some of the “establishment” in 1985, on BP Fallon´s radio show.
more detail here:
https://fanningsessions.wordpress.com/tag/pogues/
Bamber says
Jaysus that was a painful listen. Noel Hill was a right arsehole there criticising anything but pure Irish trad and dismissing the likes of the Dubliners as much as the Pogues. Sam Smith was always a contrarian journalist looking for an angle. I don’t think music was his area. I loved the comeback about Seamus Ennis being drunk on TV. Ironically the Seamus Ennis Centre a great little music venue doesn’t have a bar and you have to go to the pub across the road for a drink. BP Fallon was no great host either. I don’t know know what to make of the “debate”, except the perception that it was constructed to generate reactions and controversy but the temperature never really heated up much.
ganglesprocket says
This is not a mystery. They focussed on that song because the presenter shut his damn mouth for a second when it was on. He fucking didn’t during Fairytale Of New York, fucking yapped right through that.
hubert rawlinson says
This is on iplayer for a short while
Crock of Gold: A Few Rounds with Shane MacGowan: http://www.bbc.co.uk/iplayer/episode/m000t84r via @bbciplayer
Well worth a watch.
noisecandy says
Watched this the other day and laughed when Shane referred to Bob Geldof as an “arsehole”. Geldof was at Shane’s funeral yesterday. I wonder if he’s seen Crock of Gold?
Jaygee says
A lof of people in Ireland view Geldof as being an arsehole. I somehow doubt that his low standing causes him to lose much sleep
Tiggerlion says
Doesn’t Geldof regard himself as an arsehole?
Lodestone of Wrongness says
https://x.com/DanielMays9/status/1733227133630063072?s=20
retropath2 says
I totally get Shane’s embracing his genes. I was born in Hove, have lived no further north than Lichfield, but identify 100% as a Hebridean Celt. Frankly, who would want to be an English.
bigstevie says
Michael Marra loves you!
ernietothecentreoftheearth says
The flipside of this would be assertions that someone could never be English if they had Asian or African genes.
retropath2 says
There is adoptive home and ancestral home: all options catered for. Plus, genetically, I think we all come from six people somewhere in central Africa, the generations then extending out all over. You takes yer choice.
ernietothecentreoftheearth says
Presumably this doesn’t necessarily extend to the people I have seen described elsewhere ( including on this site) as ‘plastic paddies’ Is there a Scottish equivalent? I guess so, since the King periodically gets it in the neck when kilted up, despite having a Scottish grandmother.
Rigid Digit says
Scottish equivalent – Mock Jock?
Gary says
Senegalese equivalent – Semi-Galese?
Not at all sure I’ve got the hang of this.
Hawkfall says
Hebridean, eh? I’ll be checking to ensure that you’re not posting on the Sabbath.
retropath2 says
Wee free zone here, but it can still be serious there. I remember the “rules” during long Summer holidays on Lewis. No washing to be hung out (as evidence of doing it) , no car journeys, no fun. All the shops closed and all the bars and restaurants closed, except for one bar, in Stornoway, for those good people who had unfortunately to travel on the Lord’s day. Needless to say, that bar was rammed with folk who had to make an inescapable journey; to there! It was an Indian restaurant that first bucked the trend of Sunday opening otherwise, and subject to a lot of unGodlike abuse too.
Once and only once I recall being taken to the Kirk. A long walk over the hill to a barren corrugated iron roofed shack, fun of elderly wifies and their spouses, dressed in their Sunday best. Uncomfortable seats and an interminable service of hell and brimstone, interspersed with unaccompanied choral singing of some beauty, organs and pianos being the devil’s playthings.
bigstevie says
Michael Marra again. ‘Chain Up The Swings’.
fitterstoke says
“Wee free zone” – I’m guessing that your zone is, in fact, free from the Wee Free influence, ie, a “Wee Free”-free zone…
I’ve heard some of the unaccompanied singing and it can be very fine indeed. They have someone leading the singing (can’t remember the name of this functionary – something like preceptor)?
hubert rawlinson says
You could always listen to this instead.
Colin Blakey who played with them joined the Waterboys,
Jaygee says
It’s a good job he didn’t join Suede
Moose the Mooche says
There wiil be no shitting paracetamol on the escalator on god’s holy sabbath, ya wee jobbie-bottoms
fentonsteve says
The Beeb do seem to occasionally suffer from unchecked Intern Researchers, who do no more than a quick scan of a Wikipedia landing page.
During 40th anniversary celebrations for No Parlez, Paul Young was on the Breakfast sofa. They played a brief extract of the video for “Every Time You Go Away” (a song which wasn’t on No Parlez) and asked him whether he minded people covering his songs (he didn’t write it). He had the good grace to change the subject.
Moose the Mooche says
Must … restrain… Boooodowwwwing… reflex
fitterstoke says
Tighter underpants, perhaps?🤔
Moose the Mooche says
The fretless ones….
fitterstoke says
FretlessPants – a seasonal stocking-filler for the bass player in your life!!
Turn a tired old root note plodder into Percy Jones with these miracle pants!!
Just send a postal order for £12.75 to POBox “JazzPants”, along with a stamped, addressed envelope – why spend hours “woodshedding” in your attic when you could just buy FretlessPants for instant boooodowwwwing!!
(Also available: JamersonPants!!)!!
Black Type says
I think Moose is too fond of his Root Note pants.
Moose the Mooche says
Plodding away…
fitterstoke says
…in your attic? “Woodshedding?”
Moose the Mooche says
Would she? I don’t know, why don’t you ask her?
Tiggerlion says
He should have said that song was written by Daryl Hall, not me. And if anyone did cover one of my songs, I’d be delighted.
Jaygee says
@Tiggerlion
While not 100% sure PY wrote it, Marmalade and the Jam have both covered Toast
Tiggerlion says
Arf. I’m pretty sure Honey did too.
retropath2 says
A spillage ensured Hot Chocolate have that accolade and all.
Rigid Digit says
And more recently covered by Lovely Eggs
Jaygee says
@Rigid-Digit
Bit of a marmite band though
Black Type says
Not forgetting Pâté Smith.
Moose the Mooche says
And NutElla Fitzgerald.
Jaygee says
Or even Patum Pepperium Benatar
Moose the Mooche says
DJ Cheese….?
Jaygee says
Bobby Crushed Avocado
Archie Valparaiso says
Dairylea Lewis?
Mike_H says
Dairylea Hall & John Rolled Oats.
Moose the Mooche says
You’re outta toast, you’re outta toast.
Watch out boy she’ll chew you up etc
Jaygee says
It’s no wonder they got badly burned when they invested their retirement savings in a luncheonette
Skirky says
It gives me no pleasure to report that my prediction of multiple plays of Milk and Alcohol on the BBC upon the passing of Wilko Johnson came, indeed, to pass.
fentonsteve says
Yes indeed. Aunty should employ us!
retropath2 says
(Wo)man of the match: Lisa o’Neill. The best “other singer” rendition I have ever heard and will do more for her than all the critic end of year poll placings put together. Magnificent.
Leedsboy says
Magnificent is the word. I was smiling through tears. I didn’t think I could like Glen Hansard any more than I did. It seems I was wrong.
Star Star by The Frames is a masterpiece.
exilepj says
Glen Hansard has my eternal praise for writing the music for the film and musical ‘Once’ … ‘Falling Slowly’ is just beautiful
fentonsteve says
The Frames were one of the best examples of ‘right band, wrong time’. I saw them more than once in the back room of the Portland Arms when they should have been playing the Corn Exchange.
Kjwilly says
Agreed. I am a big fan of Lisa and felt a bit embarrassed to be excited watching a funeral when I realised it was she who was stepping up to the mic for “that” song.
Moose the Mooche says
I have to say that when I first saw Shane on The Tube in 1983-4 – possibly still fronting a band effectively called Kiss My Arse – the idea that one day I would be watching rolling live coverage of his funeral on the hated proddy feckin English BBC of all things would have been laughable. And there was not one iota of compromise in anything he did. That my friends is a life lived.
nigelthebald says
An iota or two of compromise in his ‘refreshment’ regime might not have gone amiss 😢
dai says
Yes I think his life was probably hell on earth seemingly needing to spend it completely obliterated in order to get through it.
Mike_H says
… I couldn’t eat a whole one.
Moose the Mooche says
You’ve tried, then?
Come on, we’re all broadminded here!
Mike_H says
Positively Cinemascope-minded.