It’s all gone south for everyone’s favourite scruffy ginger troubadour. Since the owner of the stadium where he was due to perform banned the support act, Macklemore, from appearing due to his pro-Palestine presentation and content, other support acts on the tour – and even members of Ed’s band (didn’t know he had one?) have all withdrawn in solidarity. The owner in question, Robert Kraft, is a lovely individual who happened to be a close friend/enabler/ protector of Jeffrey Epstein. Most other venues and promoters have followed suit, a point that Ed has been at pains to argue. It’s not really working; whilst some, including the parties concerned, have expressed an element of empathy for his ‘neutral’ position, he is roundly getting a good kicking on the socials.
So, is he a cowardly Zionist shill who has put money before principles, or just an artist caught up in a political storm not of his making?
Over to you, The Massive.

He is neither I suspect. He has probably tried to resolve it, failed and will now have to cancel his tour dates without getting any political kudos one way or the other. The issue is clearly with the venue owners driving a political agenda.
It does seem that Sheeran has been very open and honest and, it would seem from Macklemore’s statement, that Macklemore does not blame Sheeran. I predict that Sheeran will cancel and be much more specific in the obligations of promoters and venue owners in future.
I read about this on the BBC webpage earlier, naturally the words “anti-semitic” came up from pro-Israel groups when discussing Macklemore. How about “anti-genocide”?
To be fair, he’s got form. https://www.bbc.co.uk/news/newsbeat-27483970
Spot on Dai, “anti-genocide” should be the default position whoever is on the receiving end (if that’s the right terminology)
I saw a heartbreaking post from Annie Lennox this week on Instagram , she looked absolutely haunted , as most humans would are, it is worth watching vis a vis the Palestine/Israel disaster, please do check it out , sorry my tech skills are zero so can’t link,
https://www.facebook.com/share/r/1FM6XZeGGz/
Don’t be a twat Rog, have a proper go at swine like Robert Kraft.
Couldn’t care less.
Clearly you could.
My inclination would be to just cancel the whole bloody tour. Why tour when you are at the mercy of thin-skinned, right-wing douche-bags who only have their eyes on the money? Check your insurance policy, Ed, and get out now.
Unless he can rustle up Pink or Boy George as support acts that would presumably pass muster with Kraft, seems he might have to sack the whole thing off. I understand even his backing band have walked.
I’m surprised that a series of venue owners can go so far as override the small print which Sheeran’s presumably hugely expensive lawyers went over in terms of who can play what and where. In terms of cancellation, mind, it’s not just Ed who loses out – it’s his crew, the venue staff, the local hospitality sector and anyone who’s arranged a hotel, holiday or babysitter in order to attend. He’s been put in a very unfortunate no-win situation, and not wholly of his own making.
I’m not sure Ed should shoulder the blame for someone putting a bunch of Kool Kidz on the undercard and not realising that would upset the moneybagz. But hey ho maybe musicians are supposed to understand this stuff now.
As someone who has never heard a note from either Sheeran or Macklemore, is there a recommended gateway album from each artist that I could completely ignore?
I think all of them
Thanks!
I get a strange feeling of comfort reading these showbiz stories about celebs whose work has passed me by. I hadn’t even heard of Macklemore until he hit the headlines.
He’s a 12 year old single malt, isn’t he?
Arf.
Comb-over King of Broadcasting’s Golden Era.
Backing band called The Shades.
I can help with this one. Macklemore is the millennial Vanilla Ice, while Ed Sheeran is what happens when the local busker finds a magic lamp.
You’re on fire, Bingo!
Making any sort of statement as a public figure is just impossible now. To quote someone, it’s like being a long-tailed cat in a room full of rocking chairs. And it’s even more intractable on an issue where both sides have been the perpetrators and recipients of horrid deeds.
So despite knowing nothing of Sheeran besides a) the Marvin Gaye plagiarism case, and b) numerous industry reports that he is a nice guy, I can’t help but feel a little sorry for him.
I agree. Both sides need to step back but both are happy to carry on fighting.
Yes, I see that Scots National Treasures ( TM), the Proclaimers. are now the spawn of the devil in some quarters.
PS. Getting back to Ed, I see Paloma Faith thinks he should be following her lead. She says ‘Free Palestine’ to her three children ( apparently 9, 5 and 6 months old) every night.
I suppose it beats singing to them.
Ed Sheeran plagiarised? Good Lord!
These free speech issues are always interesting, but on this occasion it doesn’t seem that anyone has actually done much wrong.
Robert Kraft, odious though he is, is entitled to prevent specific political views being expressed in venues he owns. If I own a pub and I discover that the band I’ve booked end every gig with a hearty cry of “stop the boats”, I should be allowed to cancel the booking.
That said, Kraft going round encouraging others to do likewise is probably a bit of a dick move, and the point at which proceedings cross the line into cancel culture. It’s also massively blown up in his face in this instance, as he’s effectively ended up shining a massive spotlight on the statement he was attempting to curtail. Which is amusing.
Macklemore – obviously – is entitled to express his political views at his shows, and elsewhere. Which is what he has consistently done. As a side note, I enjoyed whoever it was who said this week that Macklemore represents an unusual inversion of the principle of separating the art from the artist, in which it’s the music you have to try to ignore.
Ed Sheeran is the interesting party in this instance, which is a statement one never expects to have to write.
Is he entitled not to take a position on the political issue at hand? Obviously. There is no surer a sign that someone is spending too much of their life online than the proposition “silence is complicity”. It’s an utterly unsustainable argument that collapses under even the mildest of conceptual pressure. And if you disagree don’t even bother telling me, because I don’t take lessons in morality from people actively complicit in the Uyghur genocide.
Hey, come on, it’s really difficult to completely avoid buying Chinese tat on Amazon.
The link between Kraft and Epstein is tenuous, Far from Kraft being an enabler etc of Epstein, there is no evidence they ever met or communicated with each other. (Just trying to avoid the Afterword getting sued into oblivion.)
https://www.boston.com/news/local-news/2026/02/04/jeffrey-epstein-wanted-robert-kraft-to-hire-his-lawyer-amid-patriots-owners-prostitution-case-documents-show/
I think you can relax. Last I looked the Afterword was 4.03⁴²nd in the list of sites worth suing for this issue.
Ed Sheeran and other artists of his status are in a cleft stick situation.
The majority of the ticketing and booking agencies dealing with stadium-size venues in the USA are also the owners of said venues. They can and often will call the shots as to who may or may not tour over there. There’s big sums of money sloshing around but they are the ones who call the shots.
Individual artists could not ever stand up against them or dictate terms unless a majority of them all do it together.
As it stands Ed Sheeran is unlikely to have any more US tours if he doesn’t bend to their will.
Yes, he’s a pretty big artist, but there are plenty of other artists who could fill stadiums for the owners and bookers.
Pop fans are fickle. If he’s prevented from touring the USA they might just move on to someone else.
I used to go to a lot of gigs, but I can’t ever remember seeing an act making any sort of political comment. Yes, maybe a song might contain a certain message, either explicit or implicit. But I don’t think I saw any frontperson making a direct speech, or even a throwaway comment, where they took sides on a political issue, flew a flag, or whatever.
Is that a thing now? Do many audiences want or expect a bit of politics at a gig? As somebody on the radio said today re Sheeran, isn’t he allowed to just go out and play some songs people like?
I couldn’t pick Macklemore out of a line-up and have never knowingly heard his music, but he’s made me feel sorry for Ed Sheeran, which is something I never expected to happen.
Me too! I’m off to Spotify…
“Downtown” is the only one I know, and I like it.
Good old Petula, she’s great!
Hurrah!
Springsteen first made political statements from the stage in 1980 regarding the election of Reagan. Am sure it was a big thing in the folk movement in the 60s, plus with acts like CSNY
Billy Bragg
Nobby Stiles relaxing at half-time.
I think enough years have gone by for us to admit that fascists do not, in fact, spontaneously combust when you strum All You Fascists Bound To Lose at them. The fundamental problem with the guitar-as-weapon tactic was that fascists never hung around in folk clubs.
Curious, isn’t it? They’re oh-so concerned about the erosion of their culture but not so bothered about the actual culture itself. I’m glad to say that I don’t come across many of them at folk gigs.
That’s because they take off their “Fascist And Proud Of It” badges just before entering the auditorium.
As Peter Cook once said, he was a huge admirer of 1930s Berlin satirical cabaret which did so much to prevent the rise of the Nazis.
You often hear that phrase about speaking Truth to Power. Not sure that Power really cares.
Poor old Billy Bragg speaking out against both the Tories and the Socialist Workers Party (much heckling from the latter) during the only gig of his I saw, c. 1990.
There’s that Ed Sheeran bloke, big with the youngsters, who’s stepped out for Ukraine in 2022, joined musicians pushing back on Brexit, cheered for Corbyn, supported the Equality Act in the US and, oh wait.
Also an outspoken advocate for the legalisation of weed.
Who can forget this memorable passage from the live version of You Need Me Man (I Don’t Need You), the delivery of which frankly has to be heard to be believed. Very much the Peter Tosh of the Home Counties.
“Now where I come from burning weed it is a habit
A big fat bag of high grade weed I got to have it
Cos if I don′t have it in my pocket I’m gonna panic
Cos like I said where I come from yeah smoking it is a habit
Yup to do the bun to blaze the place up in the hood
one them things I inherited like a ghetto man should
Whenever I′m smoking weed yes it makes me feel good
Yes high grade weed yes it makes me feel
Yes it is a drug and if I start to smoke it I’mma turn into a thug
Where I come from the talking could only get you mugged
Where I come from burning weed is a blessing from above
Where I come from yes we burn it when we listen rub a dub
Where I come from after we burn it we has to make love
Where I come from yes we burn it when the sun starts shine
I blaze high grade weed all the time!”
That is truly bloody awful. I’ve tried to be supportive of him, as he helps to get kids into playing music, but… he’s just a roadman with a looper and a lot of luck.
”Now where I come from burning weed it is a habit”.
Ah, the mean streets of Framlingham. Weed capital of Suffolk.
A veritable East Anglian Trenchtown. Makes even a notorious den of inquity like Bury St. Edmunds look tame.
Honestly, it really is. That and our local park.
My daughter really liked him when she was about 12 or 13, she now says he is “irrelevant”
A while ago, I got it into my head that most young girls must be fans of Taylor Swift, which helped account for her success.
I mentioned her in passing to my then 13-year-old niece. From her look of utter disdain, it was obvious that Ms Swift was already very ancient history to her, at best.
Taylor’s demographic is really the soccer moms who grew up with her and outliers such as certain sixty something guys of this parish.
I’m 59.
I’m 63!😉
Taylor who?
(73)
Patronising much? I’m 63
If this is to me, I’m not patronising anyone – I’ve already said I’m (also) 63, and an unapologetic Swiftie, so I’m not sure what you’re getting at. If your comment wasn’t to me, fuhgeddaboudid.
Sorry, @Black-Type, it was but I clearly got the wrong end of the wrong stick. 💗
43 here & the Anfield show I saw is firmly in my top 3 gigs
I liked it up until the bit where he had ginger hair.
My gig-going started in the early 80s and if I tried to list every band that said or sung something political, I’d be here all day.
Ed has made A Statement. Onstage.
https://www.bbc.co.uk/news/articles/cm780ll1de18o
And is predictably getting piled on even more.
He made it on a stage owned by Robert Kraft, which is fairly admirable.
Ed read a statement off the telescript
I don’t blame him: it wouldn’t do to mis-speak, with an angry mob and the ravenous media at hand…
Well, obvs. Contains big words and that.
Now do Syria, Ed!
The Falklands!
For some reason I am reminded of the significant number of people I have known who generally avoided politics. In some cases they got a lot of grief for this. What strikes me in hindsight is that a great many of them spent a lot of time doing good deeds, be it looking after neighbours, volunteering to feed patients in hospital and so. Their fiercest critics usually did fuck all of any practical merit.
This.
This is a very good point. Doing things is much more important than saying things.
They sound suspect. Please provide names and Twitter handles so that a proper investigation can be conducted.