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  2. Oh no. One of my all time heros. He could play loads of instruments but his touch on lap steel was always the one which did me.

    He used to duel with Taj Mahal at fiddle contests when they were teenagers, founded proto- world music band Kalidoscope and recorded Terry Reid’s seminal “River” in London, along with thousands of other sessions, always spreading his musicality whether on lead guitar, fiddle or lap steel along with numerous other instruments. If it had strings he could play it. He had an incredible sense of melody in space, and was a whole lot of fun too. I saw him live with Ry Cooder in a small club in Paris and they were a hoot, mucking about and arguing about keys, tunings and capo positions before locking eyes and producing magic. My one great regret was missing the short tour he did with Rory Gallagher and Richard Thompson. That must have been some night.

    The whole of Jackson Browne’s “Late for the sky” is a Lindley fest, never better than on this one.

    • I saw the Lindley/ Juan Martin/RT/ Rory night at London Dominion. In truth it was slightly marred by some raucous (I.e. drunk) Rory Gallagher fans impatient for his set.
      Lindley won them over with his tales of drunks. I remember “you’ve been doing something dirty, I can tell by the way you smell” going over well. Martin and RT didn’t fare so well with the crowd.

  3. This is such sad news.

    Here he is with Ian Matthews:

    And playing a beautiful solo (in a stellar lineup backing June Tabor):

    Finally, my favourite track with his own band:

    He was a superb musician.

  5. Jackson Browne:

    David Lindley, the guitarist, lap steel and fiddle player who gave his personality and his inspiration to so many of my songs, passed away on March 3rd. The outpouring of love, and the widespread recognition of his mastery has been very moving. I want to join in the resounding chorus of appreciation for his gifts, but nothing I write seems quite good enough. Words have never been enough to describe what David Lindley brought to a song.

    I played with David for the first time in a dressing room at the Troubadour in 1969. My friend Jimmy Fadden of the Nitty Gritty Dirt Band had brought him to say hello, and pointed out that David had his fiddle with him, saying he would probably sit in if I asked him to. I already knew him from the band Kaleidoscope, whose first album, Side Trips, was one of my favorite records.

    We started to play my song These Days, and my world changed. His playing was so emotional, and immediate – it cast a spell over me and everyone there. It didn’t matter that he had never heard the song before. What he was playing made it more emotional and more real than it had ever sounded in the years I had played it alone.

    David was in England playing with Terry Reid when I made my first album. When he came back, I tried putting together a touring band with him, but it wasn’t as good as with just the two of us. I decided we would tour that way, as a duo, despite having a single on the charts that required drums, bass, and congas to play properly. We didn’t even play it. We played a lot of songs I had written up until then, some old songs we both knew, and songs friends had written. Eventually I did have a band with him, and it was a rich and varied musical environment. We co-headlined a national tour with Bonnie Raitt. That was the band on my third album, Late For The Sky.

    David is a very large part of me – who I became, and who I remain. No one ever played like him. In my later bands, after David left to form El Rayo – X, we would play the songs’ structure, more or less based on what he had played, but it was, and still is today, up to the players to summon their own Lindley nature. Good luck! It’s a very good thing to go for. He didn’t play the same thing each time. He was always exploring, always hearing something new. Always in the moment.

    David’s musical interests were so far ranging, and his genius so evident, he attracted and played with many of the great artists of our day. Ry Cooder, Linda Ronstadt, Graham Nash and David Crosby, Warren Zevon, Bonnie Raitt, James Taylor, Bruce Springhsteen. But it was his band, El Rayo – X, that became the rich and fertile environment that gave him free rein to develop and mix his influences, and create the unique synthesis that will now and forever be known as David Lindley.

    With Henry Kaiser, David continued the exploration of world music that he had begun in Kaleidoscope. I’m grateful to Henry for posting his Requiem For David Lindley ( https://youtu.be/t5WoOXzOIiU ) and for all the other posts and clips on the internet that attest to the many different cultures David navigated, weaving them into one world.

    My own world is shattered by David’s passing. He was my friend and my teacher. It was with great pleasure and certainty that I revisited our special connection over the years. I guess I thought that he would always be around.

    I’ve been struggling to write something and post it for the past two weeks. It was hard to begin, and it’s hard to conclude, I guess, because I don’t want to let him go. David was kind to everyone, and so funny. Incapable of uttering a dishonest word, or playing a dishonest note. There will be tribute concerts, and a documentary about him, for sure. There will be ways for us to continue to celebrate his life. And we all know there will never be another David Lindley.

    – Jackson Browne

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