Bit of fun by @misterpee and I. We took it in turns to add a part, without discussion, until it felt finished, then did our own mixes. This is my trance version. It’s a bit like that story where you each take it in turns to add 5 words etc, and it gets odder and odder.
Joe Satriani – “Shapeshifting”
What does it sound like?:
Those of you familiar with Joe Satriani will know what this sounds like. The title refers to Joe’s desire to play outside his comfort area and channel a few of his influences (Dick Dale, Aki Farke Toure are name checked). He sounds pretty comfortable to me, though his previous few projects were slightly different to be fair. He made an album with Glenn Hughes (yes, the Deep Purple one) who modestly calls himself “The Voice of Rock” (though oddly he didn’t get sing) and I’ve always liked his funky rock bass playing though there wasn’t much funk in evidence either) which is not to denigrate the album which is perfectly listenable but could probably have been a lot more interesting with that lineup. Joe also released the polished up demos from his early 80s power pop band, The Squares, who make a most enjoyable rocky pop noise which is some distance from his solo output. As if that wasn’t enough he plays in the supergroup Chickenfoot with Sammy Hagar, Malcolm Anthony from Van Halen and Chad Smith of the Chilli Peppers. You can’t criticise his work ethic.
So to the current release. I have » Continue Reading.
Message from Jeffrey Foucault – Billy Conway.
BILLY CONWAY
If you’ve come out to a show or bought a record of mine in the last decade, there’s a good chance you’ve heard Billy Conway Music on the drums: broad, magic smile on his face, the rare balance of delicacy and power framing every note. Sometimes on the full kit, but often enough just a snare, ride, lowboy, and a suitcase with Mardi Gras beads hanging off of the handle. Simplicity itself.
Maybe you know something about Billy’s life. That he was a Minnesota hockey savant, went to Yale on a scholarship, captain of the team. Maybe you know he took his Ivy League degree and taught at-risk kids in inner-city Boston; that he toured the world with Treat Her Right, and rose to fame with Morphine, becoming one of the best known and most respected drummers in American Music. Maybe you know that he’s met everyone from Johnny Cash to Roy Orbison, backed up Bo Diddley, opened for Bob Dylan, Bonnie Raitt, Los Lobos. Maybe you know that after Mark Sandman died on » Continue Reading.
Old Samsung laptop project
I have a nice but old Samsung laptop (circa 2005) with a good screen, camera and speakers which is trapped running Windows Vista. I’m wondering how one installs Linux or similar to give it a new lease of life. A little lockdown project. Any advice gratefully received!
Hitchin Folk club live concerts!
Hitchin Folk Club has basically had anyone who is anyone in the folk world on their stage over the years, and the always impeccable sound, mixed by Kieron, has also been recorded. He is opening up this treasure trove (with artist approval) so that you can buy live sets for a fiver and he will send the money direct to the artist and send you the audio. It’s delightfully folky and a bit hand made which I like even more. See communiqué below and fill your boots!
HITCHIN FOLKUS DOWNLOAD A CONCERT FOR £5 Hi Folks Times are certainly hard for all of us now, with the self-employed probably facing more uncertainly than most. With all venues now shut down all the wonderful singers who have entertained us for so long have had their income cut to nothing at a stroke. It has struck us that there may be a little we can do to help. Since the late 80’s I have been recording concerts at Hitchin Folk Club, originally on cassette, then mini disc, next digital recorder and now directly onto iPad. If we were to offer whole concerts to download for £5 it could take a meal » Continue Reading.
The Afterword #104: The Podpod
Twang welcomes Leedsboy, MilkeyBarnet, and FeedbackFile to the pod for an involuted podcast about podcasts. For anyone who hasn’t got into the wild west that is podcasts all is here for a successful pod life. For regular listeners, many recommendations are within from minor league football, politics, music, true crime and even podcasts for pets. Please add further recommendations in the comments!
http://traffic.libsyn.com/theafterwordpodcast/Podpodcast.mp3
Best Gerry Anderson?
Utterly irrelevant in these serious days but walking back from town I was moved to ask, which is your favourite Gerry Anderson? Are you a civilian Thunderbirds person? A grumpy Fireball XL 5 then it was downhill all the way? A moderne Captain Scarlett? Surely not a Joe 90? I’m a lifelong Stingray guy. I love that it’s such a historical snapshot. Anything strange they spot, off with a Sting missile. WASP was never better named. It had the best music. Plus it had Marina.
Over to you.
Guitar Hero game
Twang Jr has acquired a Guitar Hero controller but can’t get the game working – on the PC rather than the xBox. Any tips?
Jonathan Wilson – “Dixie Blur”
What does it sound like?:
“It’s very Laurel Canyon” commented my friend Feedback File. He’s right. You can feel the California sun, see the dust in the air on Lookout Mountain Avenue, smell the bakery in the Country Store. I was less satisfied with his last album which I felt didn’t have the songs, and his gig last year was marred by atrocious sound, but this is the real deal.
You can probably imagine the sound pallet – acoustic guitars, quiet drums, quiet, unhurried vocals, but the extra lift is given by some lush pedal steel, gorgeous flute and bluegrass legend Mark O’Conner on fiddle and acoustic guitar adding some dazzle.
The songs are melodic, mostly (but not all) reflective and are above all joyous. It’s an album that makes me relax, smile, forget the frankly shit state of things at the moment and, yes, watching the video below I also shed a tear.
Good vibes flow throughout and you can imagine that even the cicadas credited on one track were having a fine old time.
What does it all *mean*?
Personally I need music to enhance a mood, whether up or down (usually one being the inverse of » Continue Reading.
Ben Watt tickets available!
I can’t go to the Queen Elizabeth Hall Ben Watt gig tomorrow night. I have two really good seats – front stalls, second row in the middle – B16 & 17. £25 each, will let them go for £40 if anyone can use them.
I’m in Hitchin – need some sort of handover arrangement obviously.
Going out this weekend?
I have tickets to see Ben Watt in London but I have to say the creeping paranoia of the week is getting to me. Going into London on the train then the tube then mixing with herds of people has, shall we say, limited appeal. Thoughts?
The Afterword #103: Disco!
Twang welcomes Tiggerlion, Milkybarnet and Moseley Moles to the pod to discuss the enduring phenomenon that is disco. From its fully formed arrival in the mid 70 it quickly overwhelmed all competition through mutations into pop, rock and even jazz and all fell to the irresistible argument that it’s fun and everyone can dance to it. Even mass burning of Bee Gees albums couldn’t kill it, and and when it survived disco treatments from Rod Stewart and Kiss, lesser forms just gave up and went home.
http://traffic.libsyn.com/theafterwordpodcast/Discopod_master.mp3
Favourite snack?
They say little pickers wear big knickers. I say pah. Me, I can’t resist a slice of mature cheddar (or if we have it, red Leicester) and if there’s Jarlsberg in the fridge, half a slab. With an apple if really hungry. A pint isn’t a pint without a dry roasted peanut – KP or Nobby’s preferred. A new discovery chez us is a bag of Burt’s Lentil Waves, especially with a Crofts Original straight from the fridge. Don’t let me anywhere near Pringles, especially the paprika ones, and Chocolate Hobnobs with a cup of tea late afternoon are a human right, aren’t they?
What’s your “go to” nib?
The Afterword #102: Ian Anderson returns!
Twang welcomes (The Mighty) Tull supremo Ian Anderson to the pod, who popped in to talk about the not one but two tours he’s running in parallel this year. We also cover the greasy spoon days of touring, guitarists past and present, choice of supermarket and the ultimate definition of prog from an anointed Prog God.
http://traffic.libsyn.com/theafterwordpodcast/Ian_Anderson_240220.mp3
The Afterword #101: The One to Onecast – Mousey
Twang welcomes Mousey to the pod for a 121 natter. We discover growing up in New Zealand, being a nerdy piano kid, seeing ELP at Wembley and writing songs for Play School. In a long career as a successful musician our guest is remains refreshingly keen and still got a kick out of walking across the Abbey Road crossing even whilst recording there.
Big data is a load of toss – discuss
I am sure there are good uses for so called big data in looking at trends etc, but for the sort of micro targeting people get bent out of shape about, I suggest it’s almost worthless. The “targeted” advertising I get is never, ever, anything I’m interested in, and even Amazon, who ought to have a better idea than most, only suggest I buy something I just bought (50 bin liners bought last week Sir? No, I won’t need any for months). There are plenty of things I am probably susceptible to but none of them ever get suggested. Big data – big load of toss.
Discuss.
Sweet soft soul music
For some reason I was moved to make a playlist of the soft sweet soul music I hated as a grim faced, long haired blues boy in the 70s but came round to in the 80s. We’re talking spine tingling vocals (probably with falsetto), strings will be in evidence, bass will probably be played on an analogue synth and any guitar will be gently wah wah’d rather than widdled.
What should I add?
https://open.spotify.com/playlist/5ZzbtrGV7y00VOexQYNsTV?si=DsuN-kZoQfaSYyVsqAvRxQ
The Afterword #100: The Recordingcast
In our 100th episode Twang welcomes Skirky, FentonSteve and Mister Pee to the pod to discuss how music is recorded. Partly a history lesson, partly a set of opinions strongly held and fiercely defended, the team can agree (more or less) that it’s never been easier to make and consume music and that this must be a good thing.
http://traffic.libsyn.com/theafterwordpodcast/Recordingcast.mp3
Homeland is back! Sunday 16th C4 9pm
The new and final series of”Homeland” is back on Sunday evening. The last series was a cracker and left Carrie in dreadful state so I’m really looking forward to this. It’s the last series ever, apparently, and has moved a long way from Nicholas Brody. This series apparently pulls it all together for the finale. Can’t wait!
Ben Watt – “Storm Damage”
What does it sound like?:
Ben Watt’s new album opens with minimalistic piano, rigid beats from a drum machine and the line “Nineteen years old, life in front of you, everything on hold, feels like you’re balanced on a wire”. It’s bleak and doomy, and those expecting a repeat of the 70s folk rock vibe “Fever Dream” tapped into are in for a shock. There are no retro fittings and no guitar solos. The sound palette is piano, drum machines or kit drums distilled down to rim shots and the odd kick, double bass, synths and lots of samples from an online resource called Freesound.org, and for a while at any rate stays cold, bleak and quite beautiful. There seems to be a despairing vibe over the first few tracks, looking back, revisiting old ghosts, old places now changed beyond recognition (and we’re talking abut Hull here, where Ben and Tracey met at university). The first few plays I didn’t get it, missing the patchouli scented feel of this album’s predecessor which ticked about every one of my boxes, but Ben sounds restless here and clearly wanted to move on and the music opens up and sound more organic » Continue Reading.
What to do about the Beeb?
I’ve always been a big fan of the Beeb, and have argued in support of the licence fee many times. There should be a reliable broadcaster with balance and no agenda, reliable, honest, trustworthy. And no frigging adverts.
But….but. I’m losing my faith. Their election coverage was pretty poor, their support for the two party solution, that awful debate where Jo Swinson was crucified where it turned out the tickets were allocated in proportion to current parliamentary seats (for the next parliament election….). The vox pops with angry pensioners in Stoke shouting about “we should be out” with never a follow up question, never some exploration of why it matters to them so much. Question Time, which is unwatchable. The Today Programme which is often unlistenable with their habit of inviting (e.g.) a scientist and populist nutter and give them the same airtime and the same patina of respectability. Thought For The Day. The bloated website. The adverts for their own programmes. The over-paid presenters. The senior management cost (cars from the station to the office as obviously they can’t get the tube). Allegedly the Beeb team at major sporting events is multiples of 10 bigger than commercial stations. » Continue Reading.
The Musical Box – a Genesis Extravaganza
Venue:
St. Albans Arena
Date: 29/01/2020
The Musical Box are billed as more than as tribute band, given that they have acquired the actual stage sets, costumes and some instruments from Genesis and have had the thumbs up from the original members. The first half opens with “The Eleventh Earl of Marr” and it becomes apparent that we are in Phil Collins era for the most part with impeccable reproductions of tracks from “Wind and Wuthering”, “A Trick of the Tail” and even “…and then there were three” which I really like though more serious Genesis heads think is a bit thin.
It is immediately apparent that the band are top players, perfectly reproducing the parts pretty much note for note, with “Phil” grinning and clattering around the kit just like the real thing. “Tony” even reproduces Mr. Banks’ slightly prim expression as he trills out signature keyboard lines. Tribute bands stand or fall on the vocals and here they are right on the money. A minor frustration is that the vocals are slightly too low in the mix – as Feedback File remarks to me, recreating crap 70s live sound is possibly a tip to authenticity too far. » Continue Reading.
Unfillable shoes
Someone posted a performance I’ve wanted to hear for years on a Facebook group – Julianne Regan (she of All About Eve) singing “Who knows where the time goes” with Fairport at Cropredy. I think we can agree this is a tough gig, and to my ears Julianne nails it. (It’s only available on a few obscure Fairport compilations and turned up on the Spotify version of the Dave Pegg comp troublingly titled “A box of Pegg’s”).
Anyway, other examples of someone stepping into unfillable shoes and pulling it off? Or falling flat on their face?
The Afterword #99: The One to Onecast – ColinH!
After one abortive attempt and significant re-education in modern technology Twang welcomes ColinH to the pod. We discover Colin’s story covering his favourites, writing, making music, Van Morrison and, shock spoiler, he likes the Mahavishnu Orchestra.
http://traffic.libsyn.com/theafterwordpodcast/ColinHcast.mp3
Afterword podcast
A few stats on the podcast! We have made 22 episodes, so almost hitting one every two weeks, on topics ranging from specific discussions (reggae, James Bond, music biogs, critics, post punk, Half Man Half Biscuit, Bruce Springsteen, Joni Mitchell, Miles Davis, Van Morrison) to general rambles, the launch of the 121 discussions, year end reviews, Beatles reissues, special guests (Mike Vernon, David Hepworth, Kathryn Williams). 27 guests have shambled into the pod, some more than once. A few even started without 15 minutes debugging Skype, phoning/texting/PMing missing guests. Phew, I feel exhausted thinking about it.
So…for the New Year, what topics should we tackle? Ideas welcome! Everyone is obviously welcome so PM if you fancy being on or in a 121 – most people start by insisting they couldn’t meaningfully string three words together then quickly realise it’s basically a chat with mates and settle in to talk for England. The more the merrier!
Also we should hit number 100 this year – so ideas to mark this auspicious ever welcome!
