Looked at from a distance, a recording artist’s output is distinguished by the most well-known songs, the albums which are seen as pivotal in musical history, or as archetypes of a certain genre. (Best albums of all time, etc).
As you get closer to the discography, it becomes a bit more complicated. LPs that got (over) praised on their release might have novelty on their side, but don’t stand up to repeated listening as the internal coherence of the tracks is not so evident as on other less prominent releases.
In the pinned article, Darran Anderson articulates something possibly heretical that I have long thought. Primal Scream’s best album is Vanishing Point.
Screamadelica is like Sergeant Pepper – groundbreaking, but not better than the sum of its parts. Vanishing Point is a far more satisfying and coherent album, particularly with Echo Dek as a coda, as the author suggests. Don’t get me wrong. I love listening to individual songs from Screamadelica – there isn’t a bad song on there – some are my favourite of all time. But they are just so different from each other that their effect is negated by the proximity. I’m listening to Vanishing Point right » Continue Reading.

