NWOBHM was mentioned last week. My contention is that NWOBHMs final days were marked by the release of Iron Maiden’s third album. Their first with Bruce on vocals, and their first Number 1 album. £3.99 it cost me in 1982 (I had some money left from Christmas, and borrowed the rest in lieu of my first paper round earnings)
If Blondie and Ennio Morricone collaborated on a song for a Tarantino film
This is probably what would happen
What Are You On About? Unrecognized Cultural References
“Know your audience” I’m often told. I think I do, until I make some reference that has me chortling to myself whilst surrounded by a sea of blank faces. Out walking with Mrs D, we spied a deep hole in the neighbors driveway. Mrs D suggested it goes to the centre of the earth. “Better watch that or Rick Wakeman will turn up” “What are you on about?” In the office recently (yes, I’m going back in the office at least one day a week) a colleague was making some suggestion about something very dull which would lead to something less dull happening. It was a long-shot, I couldn’t believe the outcome would happen, so I said “Mmm … Chinny Reckon”. I then had to explain who Jimmy Hill was, his protruding chin. I have found one ally at work though – on a recent Teams Meeting I asked “is this the right room for an argument?”. Silence for what felt like about 10 minutes, and then someone says “I’ve told you once”
At last someone who finally gets what I’m on about. Although he didn’t get the babel fish reference later when I’m trying to interpret an SQL script.
The CD Revival: Is it a “thing”
Vinyl(s) have had a revival. Cassettes are getting special releases. Artists are pulling music of Spotify. So why not revive something that hasn’t really gone away?
About 99% of my listening is on physical format, and mainly on 5″ silvery discs. One thing’s for sure – I doubt Neil Young will come round my house and take the CDs off my shelf
Also mentioned in The Guardian: https://www.theguardian.com/music/2022/feb/04/they-just-worked-reports-of-cds-demise-inspires-wave-of-support
“We may be seeing the end of CDs as a mass-market product, but we could also be seeing the beginning of the repositioning of the CD as a more fetishistic item.”
https://pitchfork.com/thepitch/is-the-cd-revival-an-actual-thing/
Hazel O’Connor
is unwell – induced coma with a bleed on the brain. Get well soon Ms O’Connor – hope your soon back with the decadent days
Weirdly, I was watching Breaking Glass just last week – I like the film, even if it is a bit nice and neat how they rose from a pub band to The Rainbow in just 90 minutes (OK, it would be actually longer than that, but it was still almost meteoric). Relatively low budget (much of the money coming from Dodi Fayed) and starring Jimmy Cooper, Jimmy’s mate Dave (before he joined the Police Force), and a post-Roxy Music pre-Ants Gary Tibbs. Tony Visconti (who produced the soundtrack album) states that the producer feller was based on him (apart from the martial arts)
https://www.coventrytelegraph.net/news/coventry-80s-pop-icon-hazel-22782600
Max Verstappen is F1 World Champion ..
or is he?
Going into the race Verstappen and Hamilton were tied on points. It was a proper Winner Take All event. Formula 1 made it to the front pages (or near the front anyway), it was spoke about on the News, and even people I know with little care about F1 normally were talking about it.
Hamish Hawk – Heavy Elevator
What does it sound like?:
Releasing your debut album can be a daunting task. Without mass media hype, major record company support, or a persuasive sponsor and advocate, a relatively low key release on a minor, self-funded label is always going to be a risk.
But if you have a song titled “The Mauritian Badminton Doubles Champion 1973” in your cannon, then I’m going to want to hear the whole album. Credit where it’s due, it was Chris Hawkins enthusing on Radio 6, and the playing of the above track that piqued my interest, and now the album has arrived on my doormat … I am not disappoint.
I sometimes feel when writing this drivel, that I do the artist in question a dis-service when I compare them to others. But I need a hook … imagine Scott Walker grafted to Morrissey, with a bit of Neil Hannon and Richard Hawley thrown in. Oh, and passing nods to Echo & The Bunnymen, New Order, and Joy Division. Even a whiff of Pink Floyd for good measure.
11 tracks ranging from all out Indie rockers (“Bakerloo, Unbecoming”) to introspection (“New Rhododendrons”) to Post-Punk (“Caterpillar”) and many points between. If I’m » Continue Reading.
Former Word Cover Star Gets The Super Deluxe Edition Treatment
The one we’ve been waiting for – long overdue
Special grey vinyl version – yours for 1p shy of 25 quids (surely beige would’ve been a better colour choice?)
https://superdeluxeedition.com/news/dido-no-angel-coloured-vinyl/
Sex Pistols 76 – 77
What does it sound like?:
There is a school of thought with the Sex Pistols that says all you really need is Never Mind The Bollocks, maybe The Great Rock n Roll Swindle, and perhaps the Kiss This compilation to round up the rest. And to those I say: “You’re probably right”. For a band with a relatively short lifespan, and a relatively small (but perfectly formed) catalogue of songs, which have all seen the light of day in various releases (some of questionable quality) over the years, does this 4 CD really add anything to the legacy? The earliest commercial release of some of these tracks was the Spunk Bootleg in late 1977 – believed to be McLaren’s attempt to scupper his own band. Later proper releases include Sex Pistols Box Set, This Is Crap, and a host of low budget releases (not exactly Bootlegs, but far from official, and not exactly high on quality control either). And latterly, rarely a Record Store Day passed without a new issue of Never Mind The Bollocks – whether it be coloured vinyl, special boxing, or a series of 7” singles, minidisc, ringtone, 8 track cartridge, a bagpipe-heavy cover remix …
Possibly insignificant, but still annoying
“What is?” I hear you ask. Stickers on cellophane wrapping of new CDs. I have enough trouble ripping the cellophane off – careful use of scissors, knives, or a flat screwdriver blade are my preferred methods. But be careful out there – a sharp may get entry to a jewel case. but you don’t want to be scratching or tearing (or even cutting through) a digipack. And if that wasn’t enough, now I need to decide whether to also carefully lever off the sticker and replace on the actual cover, or just pretend it never existed and bin it with the rest of the packaging.
First World Problems, and maybe I should get out more …
ATM – Sound Bar Out Of Sync With TV
And it’s hurting my head.
I’ve got a Virgin TV Box connected to the TV by HDMI, and then Optical Out from the TV to the Sound Bar. Virgin TV went out of Sync last week so I upgraded to a 4K HDMI and checked the Video output. Still out of sync with the soundbar. TV Sound through the Speaker is in Sync (for both Freeview and Virgin), but both out through Optical Out. Same with Netflix and Amazon Prime (from TV) – fine through the TV speaker, out of sync on sound bar. My assumption: the Optical Out is struggling to process the picture and sync to the sound. This makes sense as it was struggling more on HD channels (the TV is only about 9 months old so that seems odd, but most likely)
Now here’s the bit that makes my brain hurt: if I play a recorded or catchup programme through Virgin, it’s fine through both the sound bar, but out of sync on the TV speaker.
I’ve tried just about every setting at all ends with no joy. One of the answers I found on the internet was “this happens sometimes. You just need to wait » Continue Reading.
The Swindle Continues (Again)
The archives have been trawled again and a 4 CD set of basically everything recorded by the Sex Pistols in 76 and 77 is about to be released. (I wonder if it’s coming out in time for the DAnny Boyle thing that Johnny and the boys are arguing about?)
Do I need this? Probably not, but there are 8 alternate mixes that haven’t seen the light of day before. Can I justify it? Sadly not at nigh on 50 quids Will I buy it? Probably (if the price comes down), but then: a) it’s the Pistols and b) I’m gullible
Football, Football, Football – It’s All A Fantasy
The Euros aren’t even over yet, and the Fantasy Premier League has already re-generated for 2021/22.
Bill Shankly said: “Some people believe football is a matter of life and death, I am very disappointed with that attitude. I can assure you it is much, much more important than that.”
But I doubt he was ever sweating over a Double Game Week Selection with a Triple Captain at stake, and no cover on the bench And if you understood that, then you could get your mitts on the virtual trophy. Yours to download, print out and keep displayed for a whole 12 months
The Afterword League has been renewed (so if you played before, then you’ll be automatically entered). A new Head To Head League has been created
(links in first post below)
Matt Berry – The Blue Elephant
What does it sound like?:
Matt Berry is a bit like that kid at school where everything he turns his hand to is a success. But his charisma prevents you from disliking the annoying over-achiever. And so it is with his music career. He’s been releasing albums for a decade and a bit, and with this one he really has gone full polymath – playing all instruments (except the drums), writing, producing, arranging, even supplying the painting for the cover.
‘The Blue Elephant’ is a journey through summer sounds against a backdrop of 60s Garage-Psych, The Doors meets Deep Purple, Proggy moments, and even a near David Bowie vocal impression. But it’s not a retro exercise – this is as much a product of 2021 as the debt it owes to the past. Breezily familiar yet brand new. Relaxing yet occasionally jarring. An exercise in audience pleasing as much as pleasing the artist himself. Berry’s sometimes over enunciated tones fit the musical styles, although the album is sometimes let down by weak lyrics. Actually, those lyrics might be weak on purpose – maybe Matt Berry can’t help himself returning to Comedy-type.
“It’s a drag to be set on fire, » Continue Reading.
Jim Bob – The Summer Of No Touching
For about 18 months in the early 90s, Carter USM were probably the most played and most seen live band in my little world. And then came a bit of a blip with 1992s The Love Album – there were some good tracks in there, but it was all a bit Carter-By-Numbers. And then 1993s Post Historic Monsters confirmed that blip as a downturn. I did eventually buy the other later 2 albums (Worry Bomb and I Blame The Government) more out of loyalty and completeness than a need to own them (in fact, I’m not sure I’ve heard them for many many years!). So that was a proper check-out time, and the respective sols careers of Jim Bob and Fruitbat were not persued. And now this – JimBobs new single (from new album due in August) – may well get me scurrying to YouTube and Spotify to investigate.
Paul Weller – Fat Pop
What does it sound like?:
Paul Weller has been in the game for nigh on 45 years, and his catalogue boasts 26 studio albums. Those of his sol career have often been an exploration of his latest musical passion – each album has enough difference about it to make it unique from it’s predecessor. And in all those switches of style, he’s remained relatively clunker-free. Now into his seventh decade (he’s 63 at the end of May), one would think he might start slowing down a bit, revel in his elder statesman position, make the odd guest appearance on mates albums and live shows. No chance – he’s maintained his lifetimes work rate of an album every couple of years. In fact ‘Fat Pop’ comes just 10 months after ‘On Sunset’. When you hear that a new album is due, the initial excitement is often tempered by “OK, how much experimentation, will he be doing this time?” or that unfortunate thought that there may be a couple of diamonds amongst the tracks, but probably not enough to pull from the shelves again at a later date. The opening track – “Cosmic Fringes” – sets the ground for what’s coming. » Continue Reading.
Matt Berry – Summer Sun
A YouTube stumble upon – made my Sunday just that bit better. New album – The Blue Elephant – coming next week. On the strength of one track – ordered
The Coral – Coral Island
What does it sound like?:
The Coral’s first album came out 20 years ago. And a fine album it is. After this, and over the next 8 albums, The Coral went about their business with quiet consistency, and whilst perhaps not receiving untold riches or high profile interviews in the music press, there really is very much to like in their catalogue. Phase 1 of their career was closed out by 2008’s ‘Singles Collection’. 1 more album came before a 4 / 5 year hiatus which was broken in 2016.
And now they’re back again with a double concept album titled “Coral Island”. Except … it isn’t really a double album (done and dusted in under an hour!) more two companion albums telling 2 sides of a story. And it isn’t really a concept album – there is a theme and outline narrative (best explained in the accompanying book), but no underlying story, main characters, or narrative conclusion.
Coral Island is an imagined seaside resort, and the album is split into 2 parts telling the story Summer point of view when the place is buzzing with incomers (Part 1: Welcome To Coral Island) and then looks at the town » Continue Reading.
Steve Marriott – 30 Years Gone
What a voice …
The Who Sell Out – Deluxe Edition
What does it sound like?:
The Who’s 1967 album is given the Super Deluxe enormobox treatment. And there is a lot to get through. If you are new to this album, this 80 quid box is unlikely to be your starting point, so the assumption is that buyers of this will already be familiar with the album content. It’s been suggested that Sell Out was an early concept album. Not convinced – there is no narrative, no story thread linking the songs, and no conclusion. What it is is a collection of great songs linked by jingles and adverts. It is more an attempt to celebrate (or perhaps re-create) the experience of listening to Pirate Radio. The original plan was to sell the space between tracks for real adverts – when this idea didn’t fly, the band created and recorded their own (many of them created by John Entwhistle and Keith Moon in the Pub round the corner from the Studio). The 13 tracks that make up the original album are a mix of psychedelia, tough-egded pop, and with “I Can See For Miles” a rock edge that would become The Who’s trademark. Like previous outing ‘A Quick One » Continue Reading.
SkyArts To Become The Channel Of Choice For The Music Doc
BBC4 to no longer commission new content. Hopefully SkyArts will fill the void – although like a lot of Sky content it is either repeats or sourced from the big companies. And now they have to compete with their own SkyDocumentaries channel.
BT are dipping their toes in original music docs with the Madness film Before We Was We on 1st May (I can’t get BT so will have to wait and see if it’s on BBC4 (unlikely by the sound of it) or SkyArts (possibly?)
There was a time when
the biggest anxiety in life was pressing Stop on the tape recorder before the DJ started talking. The cassette tape and tape recorder – my entry point to the world of my own music (a Sharp mono recorder with external microphone, and a Showaddywaddy tape to be exact).
And oh how I miss winding back escaped magnetic tape with a pencil. And I don’t think there was any part of the Motorway central reservation nor strewn with metres of tape thrown from a moving car window.
Do I miss the cassette tape? Not a bit of it – Vinyl and later CDs was/is my medium of choice. But I’ve still got three of those Argos Tape Library storage boxes full up in the loft
Alice Cooper – Detroit Stories
What does it sound like?:
With the best will in the world, I’m not sure anyone would cite Alice Cooper’s first two albums – ‘Pretties For You and ‘Easy Action’ – as essential. They have their moments, but not the energy, commitment or even at times a clear focus. In the main they are a mix of Psychedelia, Freak Rock, Frank Zappa knock-offs, and Alice sounding close to Captain Beefheart. But California was not a natural fit for the band, and they upped sticks and moved towards Detroit – a scene and sound perhaps closer to their liking.
And like it they did with confidence showing on third album ‘Love It To Death’ – OK not an unadulterated classic, but more than enough to warrant repeat playing. And they were off … next album ‘Killer’ would by my choice as the pick of their back catalogue, and this was closely followed by ‘Schools Out and ‘Billion Dollar Babies’ – probably the bands last truly great album.
Alice Cooper is 74, his band mates of a similar vintage, but they have come together again for a couple of tracks on the new album and deliver the goods once again. ‘Detroit » Continue Reading.
Filing Mishaps and Errors
Today – as is my wont – I decided to listen to Pixies very fine 2019 album Beneath the Eyrie. No problem – go to the P section, just past Pink Floyd, and there at the end of Pixies CDs sat … Plan B: The Defamation of Strickland Banks. After some searching (and no little tension) I found it. Before Pink Floyd. OK, a simple admin error there. And then after a quick shufty I begin to see other errors: Nick Heyward – sitting between Madness Rise & Fall and Keep Moving Faces – First Step next to Crash Test Dummies (Mmm Mmm Mmm Mmm, I said to myself) A Rory Gallagher Best Of titled Big Guns sitting before Big Country. REMs Green filed after Out Of Time.
I stopped looking at that point and decided that Christmas week will be time for a complete stock-check and re-file. Should I file Marc Bolan with T.Rex or keep separate? And it is it allowable for Various Artists to be filed alphabetically by genre, with Film Soundtracks in their own area?
It Was 40 Years Ago Today
Most played record on the radio today? It’ll probably be Imagine, but there are better songs in his catalogue
