Obituary
Even if you know nothing about Football, chances are you’ll know Pele. A fine player and a true gentleman
https://www.bbc.co.uk/sport/football/42751517
Musings on the byways of popular culture
Obituary
Even if you know nothing about Football, chances are you’ll know Pele. A fine player and a true gentleman
https://www.bbc.co.uk/sport/football/42751517
On the morning of 21st December 2002, Joe Strummer took his dog for a walk and then returned home for a Saturday snooze. At some point during his sleep – as a result of an un-diagnosed congenital heart defect, he suffered a fatal heart attack . Joe Strummer was 50.
You lit a flame in my heart And it is burning still And every time I hear you shout It still gives me a thrill I can see you up there With your right leg pumping Goodbye inspiration Voice of a generation Goodbye Inspiration I won’t be playing Strummerville again You wore your heart on your sleeve With honesty and pride You gave me hope, made me believe That what I did was right You brought out a passion That had long been missing Yeah you brought out a passion That you never stopped giving
from Strummerville by Stiff Little Fingers
https://www.youtube.com/watch?v=e3E3AwdN1LU&ab_channel=JoeStrummerOfficial
Never Mind The Bollocks was released, went to Number 1 for a couple of weeks (even though many shops refused to stock an album with a rude word in it). It may have been re-configured, remastered, re-issued more times than a collector can keep up with (I have 13 copies in various formats), but it remains one of the greatest Rock albums of all time.
The Wombles destroy Master Tapes, so no 50th Anniversary Dolby Atmos Remix of The Wombling Song then … apparently Chris Spedding was lined up to re-record Wellington’s guitar solo
What does it sound like?:
And there’s me thinking Michael Head has got this years Album Of The Year sewn up, and then this one comes along to make me go “Hmm?”
This is Suede’s ninth album, and their fourth since 2010s reformation. And is probably the best of those 4 (although 2018s dystopian-epic ‘The Blue Hour’ runs it close)
They have successfully pulled off a re-invention of sorts with each release, and there is a slight feeling of going full-circle with this album. The songs are tight, the band tighter, and Brett’s histrionic vocals on top form.
Some write-ups have referred to this release as “their Punk album” – well, maybe Punk in attitude and exuberance, but not in songcraft and presentation.
Opener “She Still Leads Me On” – Brett Anderson’s song to his departed Mother – opens the album, sets out the stall, conjures reminders of the debut, and all-in-all is a copper bottom Suede classic (a trick repeated with “15 Again”, and very probably a couple of others here too).
In old money, Side 1 is a superb listen, and closes with “Drive Myself Home” which has the melancholic feeling of an album closer proper – » Continue Reading.
that Jethro Tull released the album that would win them a Grammy for Best Hard Rock/Metal Performance Vocal or Instrumental
The scourge of Fuckwits is not limited to The Afterword – oh no, there are many others experiencing the same annoyance. Only one though – The Humdrum Express – has set it to music. New album due at the end of this week. Hoping for more gentle skewering of those supposedly petty annoyances of modern life.
What does it sound like?:
His third solo album, and with enough traction to further bury/forget the mis-step underwhelm of Beady Eye, which could’ve consigned Liam to post-Oasis tryer. But 2 previous solo albums, and now this one restores the reputation, and continues to push Gallagher The Younger in front of his elder brother. ‘C’Mon You Know’ may not be breaking new experimental ground, but is just different enough from previous offerings to stand on it’s own.
The listening diet here must’ve included to The Beatles ‘Revolver’ with a side order of ‘Let It Bleed’ era Stones-y – there are echoes of both throughout (although I must state not exclusively).
Sometimes it might be a bit “Liam by numbers” like he’s toeing the record company line or career advisor to break the US (and anywhere else). And a Dave Grohl co-write can’t do any harm pulling in new fans from the Foo Fighters fanbase (or indeed the US where very British acts often fall – Slade, Elvis Costello & The Attractions, The Jam, Blur, Oasis)
Album opener “More Power” has a choir intro that is just a bit too close to ‘You Can’t Always Get What You Want”, » Continue Reading.
What does it sound like?:
1997s ‘Ladies & Gentleman … We Are Floating In Space’ was, and always will be Spiritualized’s masterwork. But 2018s ‘And Nothing Hurt’ came very close to usurping it, and this release maintains that knocking on the door.
There is an argument that ‘And Nothing Hurt’ could’ve been a double album with the wealth of material Jason Pierce had at his disposal. In the end it was a single album, and many of the disregarded demos form the basis of this album – and it shows, there is a nice continuum from the last album, but this is not a collection of tarted up left overs. Each track is a mini-epic, mini-masterpiece with a range of styles popping in and out – Stones, Stooges, Jazz, Country, Psychedelia, even a passing early solo John Lennon-ish moment (or at least that’s what I heard), plus the best song Bobby Gillespie never wrote (and will no doubt be miffed that Jason Pierce beat him to it). But this album is not about the sounds or the influences, it’s about how they’re corralled and personalized to create a unique whole that is undoubtedly Spiritualized. And it also has that » Continue Reading.
What does it sound like?:
“The most hotly anticipated album of the year” may be an over used cliche, but in the case of Wet Leg after the singles “Chaise Longue”, “Wet Dream”, “Too Late Now”, “Oh No” and “Angelica” it’s a cliche that fits. And now it’s here – was it worth the anticipative waiting?
On first listen, the album comes over as a bit insubstantial – nice enough, but nowt to really rave about. And then listen again and more is revealed. The intricacy of the instrumentation, to joy and exuberance of the songs, the underlying enjoyment and fun, the way the voices work together, the wit and story in the lyrics (and a bit of near filth and some naughty words).
It’s one of those “play and lose yourself in the world for 40 minutes” jobs.
Seamlessly mixing 80s pop, high energy dance, post-punk, dreamy pop, and anything else that happens to fit, this is a collection of songs written and performed for fun – and the enjoyment is there for all to hear. What comes out is proof that “Chaise Longue” – which continues to dig itself into my head on each hearing and refuse » Continue Reading.
Keep it going for another 12 months, swap to Uncut, or stop being a dinosaur as print magazines are an anachronism
Hmm … swap to Uncut? The most obvious direct competitor. Plenty of other mags, but not perhaps wit the same breadth as Mojo and Uncut. Last time I regularly bought Uncut it all went a bit “Americana is the only thing worth talking about” and Wilco appeared in every issue. But Mojo is endlessly treading the same ground and no longer feels vibrant, vital, or even interested half the time.
Why? So it can compete with Netflix and Amazon, which is not really the point of Channel 4. Maybe it’s to stop them asking awkward questions to the government
Is there anything that can be done? Well, it seems the first step in these cases is to sign a petition
What does it sound like?:
This is the third Mattiel album, and the first where Mattiel Brown and Jonah Swiller have directly collaborated face-to-face in building a collection of 11 songs. And that collaboration has added more diversity and experimentation into the mix, where before they were perhaps aiming for a template or soundscape or atomosphere. And it is the diversity of influence and delivery that wins for this record. At times introspective, the next moment is joyous and bristling with a euphoric pop-ish sheen.
Retro garage sound takes (slight) a back seat in favour of broader styles including Country and Spaghetti Western moments – both of which showcase Mattiel’s vocal abilities. Too simplistic perhaps – there are many influences going on in here, and not always easy to divine. But combined together it just seems to weave into a very fine whole.
What does it all *mean*?
“Jeff Golblum” stomps along like a Glam Infused Indie Rocker, “On The Run” drips with Country, and “Lighthouse” is infectious euphoric pop with a massive hook of a chorus – and that’s just the first three tracks. Admittedly not everything works – “Wheels Fall Off” sounds like the wheels might be » Continue Reading.
NWOBHM was mentioned last week. My contention is that NWOBHMs final days were marked by the release of Iron Maiden’s third album. Their first with Bruce on vocals, and their first Number 1 album. £3.99 it cost me in 1982 (I had some money left from Christmas, and borrowed the rest in lieu of my first paper round earnings)
This is probably what would happen
“Know your audience” I’m often told. I think I do, until I make some reference that has me chortling to myself whilst surrounded by a sea of blank faces. Out walking with Mrs D, we spied a deep hole in the neighbors driveway. Mrs D suggested it goes to the centre of the earth. “Better watch that or Rick Wakeman will turn up” “What are you on about?” In the office recently (yes, I’m going back in the office at least one day a week) a colleague was making some suggestion about something very dull which would lead to something less dull happening. It was a long-shot, I couldn’t believe the outcome would happen, so I said “Mmm … Chinny Reckon”. I then had to explain who Jimmy Hill was, his protruding chin. I have found one ally at work though – on a recent Teams Meeting I asked “is this the right room for an argument?”. Silence for what felt like about 10 minutes, and then someone says “I’ve told you once”
At last someone who finally gets what I’m on about. Although he didn’t get the babel fish reference later when I’m trying to interpret an SQL script.
Vinyl(s) have had a revival. Cassettes are getting special releases. Artists are pulling music of Spotify. So why not revive something that hasn’t really gone away?
About 99% of my listening is on physical format, and mainly on 5″ silvery discs. One thing’s for sure – I doubt Neil Young will come round my house and take the CDs off my shelf
Also mentioned in The Guardian: https://www.theguardian.com/music/2022/feb/04/they-just-worked-reports-of-cds-demise-inspires-wave-of-support
“We may be seeing the end of CDs as a mass-market product, but we could also be seeing the beginning of the repositioning of the CD as a more fetishistic item.”
https://pitchfork.com/thepitch/is-the-cd-revival-an-actual-thing/
is unwell – induced coma with a bleed on the brain. Get well soon Ms O’Connor – hope your soon back with the decadent days
Weirdly, I was watching Breaking Glass just last week – I like the film, even if it is a bit nice and neat how they rose from a pub band to The Rainbow in just 90 minutes (OK, it would be actually longer than that, but it was still almost meteoric). Relatively low budget (much of the money coming from Dodi Fayed) and starring Jimmy Cooper, Jimmy’s mate Dave (before he joined the Police Force), and a post-Roxy Music pre-Ants Gary Tibbs. Tony Visconti (who produced the soundtrack album) states that the producer feller was based on him (apart from the martial arts)
https://www.coventrytelegraph.net/news/coventry-80s-pop-icon-hazel-22782600
or is he?
Going into the race Verstappen and Hamilton were tied on points. It was a proper Winner Take All event. Formula 1 made it to the front pages (or near the front anyway), it was spoke about on the News, and even people I know with little care about F1 normally were talking about it.
What does it sound like?:
Releasing your debut album can be a daunting task. Without mass media hype, major record company support, or a persuasive sponsor and advocate, a relatively low key release on a minor, self-funded label is always going to be a risk.
But if you have a song titled “The Mauritian Badminton Doubles Champion 1973” in your cannon, then I’m going to want to hear the whole album. Credit where it’s due, it was Chris Hawkins enthusing on Radio 6, and the playing of the above track that piqued my interest, and now the album has arrived on my doormat … I am not disappoint.
I sometimes feel when writing this drivel, that I do the artist in question a dis-service when I compare them to others. But I need a hook … imagine Scott Walker grafted to Morrissey, with a bit of Neil Hannon and Richard Hawley thrown in. Oh, and passing nods to Echo & The Bunnymen, New Order, and Joy Division. Even a whiff of Pink Floyd for good measure.
11 tracks ranging from all out Indie rockers (“Bakerloo, Unbecoming”) to introspection (“New Rhododendrons”) to Post-Punk (“Caterpillar”) and many points between. If I’m » Continue Reading.
The one we’ve been waiting for – long overdue
Special grey vinyl version – yours for 1p shy of 25 quids (surely beige would’ve been a better colour choice?)
https://superdeluxeedition.com/news/dido-no-angel-coloured-vinyl/
What does it sound like?:
There is a school of thought with the Sex Pistols that says all you really need is Never Mind The Bollocks, maybe The Great Rock n Roll Swindle, and perhaps the Kiss This compilation to round up the rest. And to those I say: “You’re probably right”. For a band with a relatively short lifespan, and a relatively small (but perfectly formed) catalogue of songs, which have all seen the light of day in various releases (some of questionable quality) over the years, does this 4 CD really add anything to the legacy? The earliest commercial release of some of these tracks was the Spunk Bootleg in late 1977 – believed to be McLaren’s attempt to scupper his own band. Later proper releases include Sex Pistols Box Set, This Is Crap, and a host of low budget releases (not exactly Bootlegs, but far from official, and not exactly high on quality control either). And latterly, rarely a Record Store Day passed without a new issue of Never Mind The Bollocks – whether it be coloured vinyl, special boxing, or a series of 7” singles, minidisc, ringtone, 8 track cartridge, a bagpipe-heavy cover remix …
“What is?” I hear you ask. Stickers on cellophane wrapping of new CDs. I have enough trouble ripping the cellophane off – careful use of scissors, knives, or a flat screwdriver blade are my preferred methods. But be careful out there – a sharp may get entry to a jewel case. but you don’t want to be scratching or tearing (or even cutting through) a digipack. And if that wasn’t enough, now I need to decide whether to also carefully lever off the sticker and replace on the actual cover, or just pretend it never existed and bin it with the rest of the packaging.
First World Problems, and maybe I should get out more …
And it’s hurting my head.
I’ve got a Virgin TV Box connected to the TV by HDMI, and then Optical Out from the TV to the Sound Bar. Virgin TV went out of Sync last week so I upgraded to a 4K HDMI and checked the Video output. Still out of sync with the soundbar. TV Sound through the Speaker is in Sync (for both Freeview and Virgin), but both out through Optical Out. Same with Netflix and Amazon Prime (from TV) – fine through the TV speaker, out of sync on sound bar. My assumption: the Optical Out is struggling to process the picture and sync to the sound. This makes sense as it was struggling more on HD channels (the TV is only about 9 months old so that seems odd, but most likely)
Now here’s the bit that makes my brain hurt: if I play a recorded or catchup programme through Virgin, it’s fine through both the sound bar, but out of sync on the TV speaker.
I’ve tried just about every setting at all ends with no joy. One of the answers I found on the internet was “this happens sometimes. You just need to wait » Continue Reading.
The archives have been trawled again and a 4 CD set of basically everything recorded by the Sex Pistols in 76 and 77 is about to be released. (I wonder if it’s coming out in time for the DAnny Boyle thing that Johnny and the boys are arguing about?)
Do I need this? Probably not, but there are 8 alternate mixes that haven’t seen the light of day before. Can I justify it? Sadly not at nigh on 50 quids Will I buy it? Probably (if the price comes down), but then: a) it’s the Pistols and b) I’m gullible