Straight out of Alien. Remote South Australian outback.
Musings on the byways of popular culture
Straight out of Alien. Remote South Australian outback.
I don’t keep up with the latest as much these days but I know there a good few fans of the Sounds D’Afrique on here. Stani Goma does a show which can be played on demand. It is on Melbourne 3PBS , the show is called Flight 106.7 to Africa and it was broadcast on Sunday Jan7. The first few tracks are included in the attached image.
I can’t link direct to the playback.
It appears to occur on YouTube heavy posts and when phone scrolling.
The recent polls revealed a plethora of new and archival releases, most of which I was unaware existed.
This is the perfect forum for the Massive to be kept informed of what is out there and it will keep the dynamism of the place up there too. A few of us like to write long form reviews but they don’t have to be like that. It can be a quick heads up of a release coming out or some feedback if you have bought it and liked it/hated it.
Mods maybe the review template can be simplified too. Do we need all those boxes?
Seeing Van’s instrumental album Beyond Words listed in the 2023 best ofs I thought I would give it a listen. Not on Amazon or Spotify, nor was it for sale on Amazon.
How did people get their copy?
Time to squeeze one more antipodean fauna horror story. Play interrupted in Brisbane open in Thiem match. I was amused in the comments to this admittedly poor footage. “ Such a small snake, what an anti climax”.
Despite the bland name the Eastern Brown is the second deadliest in the the world.
Hope its a happy one for everyone. Down here Christmas Day is upon us.
I am in Melbourne. Mild ( top 22c ) with showers . Heaven sent for my son just down from the Brisbane sweatbox.
Another great Ray Padgett interview. Sounds hilariously chaotic.
Recently I compiled a longish (8 hour playlist). Having a listen today ,tracks that I deleted along the way pop up even though they are not listed in the playlist. And it is consistent : Walk on the wild side keeps popping up after Little Feat’s Spanish Moon whereas it should segue into Lila’s Dance by the Might Vish.
As they are not listed I don’t now how to delete them.
I’ve read up. You got to advanced settings but I cant seem to get it to take effect. Also I just want to do this for one playlist only.
Gracias.
Venue:
Palais, St Kilda Melbourne
Date: 02/12/2023
The Cruel Sea’s swampy grooved third album The Honeymoon Is Over was their most successful. After touring with his other 90’s band the Beast Of Bourbon earlier this year, Tex and the Cruel Sea are doing a 30 year anniversary tour, sans James Cruikshank who died of bowel cancer in 2015. Tex has lost a lot of weight and is much more mobile than in his other shows over the last few years. Opening was all girl band The Wraylettes were fun but would have been nice if the lead gtr had better chops if you’re gonna do Link Wray stuff. You can usually see them for free at inner citty pubs so this was a step up. TCS band were great with things lifting with Delivery Man and the audience rising with Black Stick. A mate reckoned Cruikshank was missed ( Matt Walker did his parts) but I didn’t notice. We were 3 rows from the front and while great for getting the stage energy you lose the whole band feel and the sound is too separate. 10-15 rows back is my sweet spot. Annoyingly Dan Rumour’s guitar amp wasn’t working » Continue Reading.
Aussie Pm Albanese is a music fan and did a bit of amateur DJing in his time. Here he is at the PMs desk rocking a Radio Birdman t- shirt. RB was a seminal Sydney punk band. Clinton played sax, Blair bass and Obama loved publicising his playlists. Gilberto Gil was a Govt minister.Peter Garrett of Midnight Oil was one. Youssou Ndour is one.if I go back Athol Guy of the Seekers was a State ( regional ) minister. Any others?
A fairly androgynous 90 I have to say. Can’t argue with his ear for talent.
They’re taking the piss. There was that German ( of course) band or collective who learned to play and, I think, performed it live. Now we have a remastered version. I am surprised there are no outakes and alternatve versions.
The attached article suggests that those deriding it have never heard it. I have a couple of times. It was absolutely awful. And Lou saying you had to listen on headphones was another piss take.
Lou needed to meet a contractual obligation. He put his guitar in a room , I dunno, maybe strummed it then shut the door and let his gadgetry , phase , strobe, loop whatever til he turned it off. Sliced it up et voila 4 sides !
Remastered FFS. I would love to know what Ludwig did. @Tiggerlion any chance of a review comparing tte original and the remastered version?
I was thinking about going and , perversely now wish I had. Very Tap.
From the Melbourne Age
Fistfights, boos and faffing around: Was this the worst gig ever? Karl Quinn By Karl Quinn
Brian Jonestown Massacre The Forum, Melbourne, Tuesday, November 21 ★★
Those who stayed to the bitter end of the shambolic, abusive and ultimately violent show from American psychedelic rock act Brian Jonestown Massacre in Melbourne on Tuesday night got to witness something few attendees at the mighty Forum ever see: the coming down of the safety curtain.
But by then, it was far too late. Everything that could go wrong had gone wrong in a show that had fistfights, f— yous to the band and the audience, and an enormous amount of faffing about between songs. And, just occasionally, it had some great music too. Anton Newcombe, the frontman of American psychedelic rock act Brian Jonestown Massacre.
Anton Newcombe, the frontman of American psychedelic rock act Brian Jonestown Massacre.Credit: Principal Entertainment/Facebook
Frontman Anton Newcombe’s battles with drug and alcohol abuse over the years have been well documented. In Sydney last week he shouted at the audience, ordered one of the guitarists to leave the stage, » Continue Reading.
What does it sound like?:
It was the first time
March 20 1978 was the first time I saw Bob Dylan. I had just turned 21. As you can imagine the anticipation was palpable. He played 3 nights at Melbourne’s mainly outdoor venue the Sidney Myer Music Bowl. I saw the first night which rained heavily and the second night. I am in a chat group of Dylan fanatics and none of us recall being aware of the format these shows would take and the dramatic reworkings of songs. Dylan had played 16 shows before us including Auckland, Brisbane and Adelaide but, at most, the awareness was of a much bigger band.
To stand there listening to him play one of his lyrically most potent songs Hard rain as an instrumental, in a white jump suit, was extremely disorienting. The last thing I had heard or seen was the punky bandanas and face paint of the 76 Rolling Thunder tour. I tried to like it, I wanted to like it but really, I was underwhelmed. And in early 78, jump suits and flutes were a hard sell.
Budokan, the original album was intended for the Japan market only » Continue Reading.
One line in this particularly caught my eye ; “No disrespect to certain megastars, but Bob Dylan invented “Eras.” If it were a friendship bracelet, his career would be a string of pearls, one semi-precious bead for each of his shapeshifting versions.”
Not saying there aren’t, but I can’t think of another artist,whose career is so distinctly marked by different clearly defined stages.
https://www.westsiderag.com/2023/11/19/bob-dylans-rough-and-rowdy-times-in-new-york-town
The highly regarded Sth African classical guitasrist who amazed the kora masters by recreating the west african kora classics to classical guitar is touring a range of smaller venues around the country. Venues are being added to the list.
I have an anecdote. A sth African mate , long time resident of London Nick Carnac had somehow arranged to meet Berfheart after a gig but something git in the way. An hour and half later he thought , he won’t be there but I better check. Goes to the bar – “ I been here for ages, what happened”. At least he kept appointments even if he ripped off his band members.
https://andnowitsallthis.blogspot.com/2023/11/great-concerts-revisited-captain.html
Late September. Interesting how the comments note JMcL being mixed down and how JB always seems to try to hog things no matter who is onstage.
Still, not bad though.
What does it sound like?:
Ok so confirmed Dylan addict Junior Wells sits down to listen to confirmed Dylan addict Cat Power (Chan Marshall) recreating one of the Holy Grails in the Dylan catalogue Live 66 Royal Albert Hall, which we all know was the Manchester Free Trade Hall show. This will be interesting.
I have stated previously that my problem with so many covers of Dylan songs is they overdo the melody – Make You Feel My Love being a great example. His songs always have strong melodies and I find his voice, the harp they provide some sour to the sweet. Will she sugar it up? Will it be a carbon copy prompting the question, why bother?
I have only seen Cat once, supporting Nick Cave in Sydney. I think it was the same tour where she stopped off and recorded Moon Pix in Melbourne with the Dirty Three. At the show I saw she kept her head down, deliberately shielded her face by her hair and almost ran off stage at the end of her set. Clearly in a bad place ,her presence was the complete opposite of the defiant self-belief of Dylan at this » Continue Reading.
The recordings contained on these three master professional tapes were used to make the first Bob Dylan record album, “Bob Dylan.” Markings on the slipcases and the enclosed tape logs describe the John Hammond-produced sessions at Columbia Studios, New York City, on November 20 and 22, 1961. The dates are consistent with the album liner notes.
The tapes contain all the songs that appear on the album, as well as songs that were not included. Of significant importance is the fact that the tapes also contain verbal comments / suggestions made by John Hammond from the control both and Bob’s responses.
https://www.guernseys.com/v2/20th_Century_Iconic_Items.html#BobDylan
So here is Bon in pants so tight he couldn’t do em up and then there’s the ….. wedding tackle.
That’s gotta be a sock down there surely?