Has anyone noticed the similarity between Queen of Nashville Emmylou Harris and mistress of leather The Repair Shop’s Suzie Fletcher?
Time to share your unexpected pop star looky-likeys, the more bizarre and off the wall the better.
Musings on the byways of popular culture
Has anyone noticed the similarity between Queen of Nashville Emmylou Harris and mistress of leather The Repair Shop’s Suzie Fletcher?
Time to share your unexpected pop star looky-likeys, the more bizarre and off the wall the better.
Never heard of Peter Bruntnell? For shame! Well, he has a new album out on 4th October called Houdini and the Sucker Punch, which is his 15th. He’s Britain’s most unsung, underrated, under the radar potential superstar who specialises in sensitive singer-songwriter fare of the highest calibre. Houdini is chock full of Beatlesque, Byrdsy ringing guitars in mostly upbeat songs with a strong element of minor key melancholy. Unlike many who’ve been around for a while, Peter Bruntnell’s albums just get better and better, and this one is a real cracker. It’s available on pre-order from his website or from Bandcamp. Treat yourself.
Okay, so this isn’t cutting edge popular culture, but bear with.
Badgers, protected species, deceptively cuddly but vicious and massively destructive black and white bastards. Anyone out there plagued with the feckers? And if so, have you had any luck getting rid of them from your garden, humanely and legally of course? They must have a sett nearby, but their visits to trash my garden occur almost every night. I’ve tried the recommended steps – citronella oil, bright lights, urine (don’t ask), but the buggers are just laughing at me and even smile for the security camera. I’ve even thought of playing Nickelback at them, but that may veer into inhumane territory. Any ideas?
Obituary
Arguably France’s most famous and lauded actor from the impossibly cool 1960s, Alain Delon has passed away at the age of 88. His life was not without controversy, but along with Jean-Paul Belmondo his best films remain testament to a time when just turning up and being French was enough to guarantee box office hipness. He was a pretty good actor though, as illustrated by the likes of Plein Soleil, La Piscine and Le Samourai.
Thanks for the glamour and the coolness. Rest in peace.

What does it sound like?:
Unlike its predecessors the newly released third album from Petty’s sideman-in-chief, Mike Campbell and his Dirty Knobs possesses some of that unmistakeable Heartbreakers sound. The Dirty Knobs slipped in (where IS Moose?) under the radar during Covid, and their first two albums consisted largely of fairly uninspired blues workouts and sub-Springsteen stompers. This time though, Campbell has ratcheted up the Byrdsian guitar flourishes to deliver the band’s best offering yet. Heartbreakers Benmont Tench and Steve Ferrone guest on a couple of tracks, and Lucinda Williams and Graham Nash provide duet vocals on Hell or High Water and Dare to Dream respectively. Opening song The Greatest is apparently a message of thanks to the audience that turns up at gigs, but it could equally be about Petty himself. Angel of Mercy and Hands are Tied could easily have been penned for the Heartbreakers, and Campbell’s vocals have never sounded more Petty-esque than they do here. There’s a rattling guitar mashup on Shake These Blues, and although the momentum slips a bit towards the end, this is 43 minutes well worth spending in the company of an old friend.
What does it all *mean*?
Mike Campbell » Continue Reading.
Another list thread? Well yes, as it happens. As we approach the summer solstice and the warm and balmy mid point of the year you are invited to share your top 5 albums of the twelvemonth so far. I’ll start by proposing the following in an order that experts are calling alphabetical.
Avett Brothers – Avett Brothers T Bone Burnett – The Other Side The Decemberists – As it Ever Was, So it Will Be Again Mark Knopfler – One Deep River Phosphorescent – Revelator
Do you have a D-Day story to tell? Were any of your close relatives involved in the preparation for D-Day or in the landings themselves?
By chance, Mrs B and I were in Cornwall today visiting Trebah gardens. Men from the 29th US Infantry Division had camped in their thousands close to Trebah in 1944. Concrete jetties were built from the gardens across the beach in order to load tanks and men onto amphibious craft for the assault on Omaha beach. The place is beautiful and peaceful today, and a simple stone memorial has been placed close to the beach which was today covered in poppy wreaths. It’s a simple gesture but one which never fails to move. Many people were standing there today in silent contemplation, no doubt in gratitude for the sacrifice that others made for the liberation of Europe.
My Mum and Dad both served during the war (army and RAF), but fortunately did not see any action. Many of you will have had relatives who were not so lucky. Hats off to all of them.
Here’s the thing. I like coffee; I mean I really like coffee, but after drinking it for half a lifetime the perfect cup of home brewed coffee still eludes me. I have a basic DeLonghi espresso machine which does pretty much what it says on the tin, although it extends to making cappuccino. I prefer a shot of espresso, but despite trying many different beans and ground coffees over the years never seem to achieve that rich, smooth intense coffee flavour I’m looking for.
So what does the expert mind of the Afterword think? I know we’ve dabbled in the coffee debate before, but I’m just after your thoughts on achieving the perfect cup – achieved either through the best beans or a really decent bit of coffee making kit.
Many years ago when I was considering a career as a professional photographer I spent many happy hours taking pictures in an area of woodland a few miles from where I was living at the time. Good pictures they were too, even if I do say so myself. The woods, fields and farmland were part of a large medieval estate, significant areas of which appeared to have been left undisturbed for decades. Remote and hidden, the woodland was last used to conceal troops prior to the D-Day embarkations. It was a magical peaceful place, full of birdsong, wildlife and leafy dappled sunlight. Then in the 1980s the farmland fell into disuse and the whole area became part of a plan to build a new town. A public enquiry took place but despite massive objection the outcome was a foregone conclusion and in 1986 work began on building a shopping centre and business park. Woodland tracks that had once been silent in the middle of nowhere were suddenly fringed by a major road and a huge car park, but the northern part of the area remained largely intact. Wild daffodils, bluebells and wild garlic carpeted part of the woods in a » Continue Reading.
Joe Ely’s is not a name that gets a lot of Afterword coverage. He’s been around since the 1970s, shifting between a solo career and working with Butch Hancock and Jimmie Dale Gilmore in The Flatlanders, as well as touring with The Clash and singing on ‘Should I Stay or Should I Go’. Received wisdom has it that his finest albums are the early ones – Honky Tonk Masquerade and Musta Notta Gotta Lotta among them. For my money he’s at his best on the trilogy of 90s albums, the Tex-Mex flavoured Letter to Laredo, Twistin’ in the Wind which blends Tex-Mex with rock’n’roll, and best of the lot the blistering Love and Danger, first of the three from 1992. It was released around the same time as Lucinda Williams’ Sweet Old World, and both CDs dropped on the mat on the same September day, courtesy of mail order from CDX (anyone remember them?) it’s one of those albums I have played regularly ever since, and I never grow tired of it. It’s ‘bursting with a crazed and dangerous sexual energy’ according to the Chicago Tribune, and who can argue with an accolade that inviting? It certainly rocks, with track » Continue Reading.
So come on, be honest, when was the last time you played air guitar to one of your favourite songs? In the privacy of your own home, with or without the benefit of a mirror? Well, I’m 62 soon, but after a particularly trying phone conversation I thought to myself sod the neighbours, cranked the volume up and played my imaginary Fender to this fabulously groovesome and sleazy slice of southern rock. Okay, so I felt a bit light-headed half way through, needed to sit down at the end and ended up with indigestion, but hey – I was doing it for the art, and it felt really good.
Own up – you’re amongst friends – when was your last time, and what was your song of choice?
Well, no one else has raised this so I’m going to, as it seems as much a part of popular culture as anything else we blather about on here. I’m not particularly a fan of Phillip Schofield or the kind of television he fronted, but I feel quite strongly that there are important issues here about where we are as a society in the third decade of the 21st century that shouldn’t be ignored.
At worst Schofield is guilty of grooming a young man for sexual purposes and participating in a cover-up about his actions; at best he has committed a series of grave errors of judgment that have ultimately cost him his career. Either way, those actions have impacted on many other people, not least the young man at the centre of the storm of publicity and moral outrage in the press and online. I make no judgment as I don’t know the facts. The truth may lie somewhere in between, or Schofield may be telling the truth. In the fullness of time no doubt we shall know, but as things stand he has committed no crime.
What has been particularly shocking in all of this however is the » Continue Reading.
43 years ago my friend Steve went on a cycling tour of Normandy. He left home shortly afterwards to read English at university, but newly armed with a sensibility for all things French he wrote to me to say that since arriving he had met lots of girls and had started reading Marcel Proust’s mammoth novel A la recherche du temps perdu. Whether the two things were connected he didn’t say, but though Steve and I lost touch half a lifetime ago, I always promised myself that one day I would follow in his footsteps. Having acquired a pristine secondhand 3-volume Penguin edition of the great work translated as Remembrance of Things Past, last week I finally took the plunge without any real expectation of making an impression on its 3000+ pages. 150 pages in and I am surprised at how much I am enjoying it. Yes, there’s no traditional plot or narrative to speak of, but as a reflection on the nature of memory and (so far) on childhood, there is something mesmeric and addictive in Proust’s magnificent prose that is compelling me to continue. It is, to state the bleedin’ obvious, exceptionally French.
So what cultural behemoths have » Continue Reading.

What does it sound like?:
Uncut magazine has kept the faith with Americana despite the genre’s general unfashionableness these days. March’s issue sees the latest release in its long-standing cover-mount series, Sounds of the New West volume 6. (The other five are all pretty essential listening if Americana is your bag). Volume 6 focuses on female voices, and I reckon it’s one of the best so far. All of the artists are new to me, something which hasn’t been the case with previous issues in the series, and all of the fifteen tracks are pretty much on the money. Aside from this place, which has led me to the occasional discovery, the Sounds of the New West CDs have been heavy on the wallet, and this one is unlikely to be any different. Amongst the tracks sampled are songs from Nikki Lane, Collpasing Stars, Doug Paisley and Sunny War. Best of the lot are offerings from Plains, who sound more than a little like First Aid Kit, Margo Cilker, whose debut album Pohorylle is definitely worth a listen, and the shimmering Kassi Valazza. Her debut album Dear Dead Days has been around for a couple of years and is exceptionally » Continue Reading.
Not that long ago Uncut magazine’s obituaries column, Not Fade Away, was tucked away at the back of the magazine and had maybe half a dozen entries each month. Now it’s generally a double-page spread, and even The Afterword has its own obituaries section. It’s a sad fact that our heroes who once seemed destined to live forever are now falling victim to mortality in ever increasing numbers. All of which maudlin thoughts had me musing over which popster’s passing has affected me the most.
The one that was the most shocking was, perhaps predictably, the shooting of John Lennon. I can recall exactly where I was when I heard the news – on a train to Exeter University for an admission interview, since you asked, and Lennon’s death was on the front page of the Daily Mail. It seemed unthinkable that such a thing could have happened, and is still sometimes hard to comprehend 42 years later, even though our senses have been dulled to such outrages by their greater frequency.
But the death that affected me most in recent years was Tom Petty’s. I’ve loved his music pretty much since the start; it’s been the soundtrack to » Continue Reading.
Venue:
The Anvil, Basingstoke
Date: 10/11/2022
I’ve been a Cowboy Junkies fan since The Caution Horses, but this was the first time I’d seen them play live. The Basingstoke Anvil is a medium sized location which gets a good cross-section of live acts, tribute bands, orchestras, musicals etc – coming soon, Cinderella starring the lovely Debbie McGee. The Junkies set was in two halves; the first featuring songs from their recent covers album, Songs of the Recollection, the second showcasing ‘the songs you’ve probably come to hear’, as Margo Timmins described it. The show clocked in at about 2 hours in total and was the first date on the band’s current UK tour – 10 dates in total culminating at the Royal Festival Hall in London. Best in the first half was a blistering version of Neil Young’s ‘Don’t Let it Bring You Down’, “better than the original” as somebody behind me shouted out. The second half of the set covered Junkies crowd-pleasers, and, being a Canadian band Margo said that they always felt obligated to sing a Neil Young song. Tonight there were two – a lovely version of ‘Tired Eyes’ rounded off a short acoustic section in » Continue Reading.
Mick Fleetwood apparently takes his coffee just as seriously as he does his music. Quite an assertion from a man whose band haven’t brewed anything fresh (SWIDT) for the best part of 20 years. Nevertheless, Sir Mick of Fleetwood now has a coffee company, self-effacingly titled the Mick Fleetwood Coffee Company (or MFCC for short). It’s not the most obvious merchandise to move into – unlike, say, Madonna’s Truth or Dare perfume, or Neil Young’s ill-fated Pono music service, but it’s part of a long history of musicians branching out into creating and selling things other than music. So do share with us your stories of old rockers branching out into business ventures, whether they be successful, disastrous or simply best forgotten. The more amusing the better.
I’m off to nibble on Alex James’s cheese*
*Leave it, Moose.
Today I listened to Brothers in Arms. There, I’ve said it. I had to program out tracks 2 and 3* but otherwise I listened to the whole thing. And you know what? It was much better than I remembered it. Shorn of the gloss of contemporaneity (was it ever contemporary?) and with fading memories of Mark Knopfler’s headband, my truncated version of this 80s behemoth was quite an enjoyable listen. I’ve always liked Knopfler’s more low key solo albums but BIA fits into that transition quite well if you listen without prejudice.
I know we’ve trodden similar paths before, but what have you listened to recently expecting aural embarrassment only to be pleasanty surprised?
*The execrable Money for Nothing with its appalling vocal intro by Sting should have been enough to have him banned from making further records by Amnesty International. Walk of Life remains, as ever, completely unlistenable.
A niche question, granted, but I am tearing my hair out here…. I need a builder to advise me / carry out maintenance work on my house brickwork, which is in the process of crumbling quite badly. I’ve used Checkatrade to identify local trades and have contacted around a dozen builders. Of those, 5 have never got back to me after promising to do so, 3 just never answer the phone, 1 made an arrangement to look at my property and never turned up, 1 has asked me for photos so he can quote remotely (dodgy?) 1 promised me quotes for weeks on end but had an excuse every time I chased him, and 1 wasn’t interested as he had too much work on……
Does the hive mind of the AW have any suggestions? I know it’s a busy time of year in the building industry and the Covid backlog is still being felt, but what is the best way to find a reliable, honest and impartial builder?
Twangsome Canadian band The Sadies have a new album out in July from which this is the opening track. It’s five years since their last offering, but while the new album is most welcome, it’s also tinged with sadness as lead singer / guitarist Dallas Good passed away from heart failure in February at the ridiculously young age of 48. If you are a fan of the band you will know what to expect. Spooky and lonesome, like a punked up version of Lord Huron.

What does it sound like?:
Ian Noe’s first album released in 2019, Between the Country, was a fine debut, a piece of modern Appalachian folk consisting of strong tunes and bleak lyrics about America’s dispossessed. Kentucky born Noe has the kind of mournful voice ideally suited to songs about poverty and crystal meth addicts. His follow-up album, released recently, lightens the mood a little, but not by much. Aside from a couple of songs that rock out, it consists mainly of softly strummed acoustic guitar with splashes of pedal steel that bring the lyrics and Noe’s voice to centre stage. To some extent this is its undoing. By the third listen it becomes apparent that the melodies to tracks 4, 5, 6 and 11 are essentially the same, with the same musical phrase repeated endlessly throughout each song. When the last track, ‘Road May Flood’ kicks in there is a strange familiarity about it which soon becomes revealed when Noe slips into singing Bonnie Tyler’s ‘It’s a Heartache’, which is pretty much the same tune, albeit fully credited on the album sleeve. All this is very disconcerting; it’s as if Ian Noe has allowed the tunes to play second » Continue Reading.
Calexico could sing the phone book and I would probably still listen to it. Their new album is rather good – review to follow unless someone else beats me to it. This is a bonus track from their The Thread That Keeps Us album from a few years back, and I can’t stop playing it. Smooth, mellow, hooky and melancholy – just great. Posted for no reason other than it sounds lovely on this sunny Easter bank holiday.
I probably shouldn’t post this on here, but need to get it off my chest, and am genuinely interested if other people have experienced anything similar.
Builders started work next door to us 6 months ago. Their task was to triple the size of a modest semi by building substantial side and rear extensions. The story goes back 7 years with multiple planning applications that my neighbours and I have fought against, ultimately to no avail.
Due to the way both houses were constructed, the builders needed access to my garden to sort out issues with drains, access which I freely gave. This involved them drilling up part of my rear patio and laying new drains. So far so good, but it took them over a month to fill in the holes and re-lay the slabs on my patio, and when they did the work my slabs had mysteriously disappeared and were replaced by some that were salvaged from the neighbouring garden. They didn’t match, but at least the holes were filled in, so I didn’t make a fuss.
In January work started inside to join the old part of the house to the new. This involved demolition » Continue Reading.

What does it sound like?:
If you were to ask me who my favourite bands or artists were I would probably reel off a list of a dozen or so that have been the soundtrack to my life and that I have kept coming back to over the years. Chief among them, but often overlooked, would be Cowboy Junkies, a band that have been quietly doing what they do for 35 years, with 19 or 20 albums to their credit, without a duff one among them and with a quality threshold that never seems to falter. If they ever had their five minutes of fame in the UK it would have been in the early 90s when Margo Timmins’ hushed vocals and the band’s lo-fi melodies made the songs on The Trinity Sessions and The Caution Horses such an antidote to everything else happening at the time.
Following those early albums the Junkies developed a raw and grungey guitar sound that still underpins their best work. They have always worn their influences on their sleeves through recording tribute songs or covers of songs by their favourite artists – Townes van Zandt, Neil Young, Vic Chesnutt among them. This latest » Continue Reading.
It’s the word game de nos jours. Highly addictive, an enjoyable 5 minutes of fun every day. I love the fact that it’s not trying to sell me anything, it’s a very simple construct, and it is necessary to wait 24 hours for the next puzzle. It’s also very Afterword in its concept – does exactly what it says on the tin.
In case you’re wondering, I’ve solved 14 words in 14 days, one after two attempts (luck, not skill), 3 after 3 attempts, and the majority after 4.
