It seems to me that a lot of artists are better as quality side-men and song-writers than solo performers. They may not like being on stage, may respond well to the structure of other musicians their equal, or the creativity bank over-drawn. When I hear Bob Dylan’s songs performed by others, his talent shines through. I prefer Eric Clapton as a star soloist with others, and Phil Collins’s drum contributions to other bands were better than his work in post-Gabriel Genesis. Is this a minority view?
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Ringo’s solo career came up slightly short after The Rutles.
He wasn’t even the best drummer in his solo career?
Most drummers appearing on the same stage as Jim Keltner or Steve Gadd are going to struggle.
He had 8 top 10 singles in the US until 1975. Other scores:
John 4
Paul 10
George 3
Bit better than what one might expect from their (excellent) drummer.
The playing field levels off somewhat when you take into account the fact that George wrote three and John at least two of those hits.
No John didn’t write any. The ones with George were officially co-writes or actually credited to Ringo alone . Still, he did pretty good. Lennon and McCartney (and Harrison) wrote plenty of songs for other artists that didn’t make the top 10.
It Don’t Come Easy – Starkey
Back off Boogaloo – Starkey
Photograph – Harrison/Starkey
You’re Sixteen – Sherman/Sherman
Oh My My – Starkey/Poncia
Only You – Buck Ram
Snookeroo – John/Taupin
No No Song -Axton/Jackson
Co-writes count, surely? Especially when one considers that George might reasonably be assumed to have taken the lead compositionally, given their respective track records.
Point taken re John; I was counting ‘I’m The Greatest’, which wasn’t a single of course.
Ringo did great, until the booze swamped him. Everyone loves Ringo, don’t they?
You can make a very good greatest hits album from Ringo’s career, covering both original songs and some of his cover versions. Of course, he’s done plenty of horrific cover versions…no, songs…no, albums, but there is some good stuff there amongst it. 2 of the Lennon songs, I’m the Greatest and Goodnight Vienna are great, his Harry Nilsson assisted covers of Only You and You’re Sixteen are brill and then there are new songs like It Don’t Come Easy and Photograph, which are as good as any song he sung with the Beatles. In fact, there are very few solo Beatles songs as good as Photograph.
And his most recent album is the best he’s done for donkeys years. It helps, of course, that he must have the best phone book in music, as he has had plenty of friends lining up to help him over the years, not least his brother in law, Joe Walsh.
But on the other side you get such horrors as his cover version of Hey Baby, the chorus of which sounds like it was recorded in the Grafton at chucking out time.
Yes, Photograph: The Very Best Of Ringo Starr, is indeed a very good greatest hits album. Play it loud.
Another up for Photograph by Ringo: great song.
I should have said television was more popular than Ringo, I might have gotten away with it.
Also, Kevin Costner has an Oscar for best directing, Stanley Kubrick hasn´t.
Though, to be fair, I don´t think John, Paul or George had solo careers better than The Beatles either.
So, to summarise. Today´s AW lesson: Don´t point out the fact you prefer The Beatles to Ringo´s solo career. People will take notice of stuff like that.
You will find it cute and then write something slightly sarcastic.
Thomas the Tank Engine was the high point of any post Beatles solo career. That’s just facts.
How about George in The Rutles: All You Need Is Cash?
I would have thought that MOST musicians are better in a group than solo? Or are you specifically talking about artists who have a definite solo career of their own?
The obvious examples I can think of are every member of Yes, Pink Floyd, The Beatles and the Rolling Stones.
Bowie’s output improved no end after he joined Tin Machine.
Yes, I was thinking about people with a solo career, but perhaps not the temperament or critical perspective in the ir own work/ need for strong peers the really make it work. Nobody ever got excited by solo Rolling Stones member albums, even if they have t gt e occasional good track.
I can’t think of one cover of Dylan’s that I’d put above his own version.
Even “All Along The Watchtower,” brilliant as Jimi does it, is fantastic on John Wesley Harding.
As for whole compilations of Dylan (or Beatles) covers, they’re to be avoided at all costs.
Most unrewarding.
Emmylou Harris’ Every Grain Of Sand is worthy of consideration I’d say. Pretty faithful cover but with the benefit of her golden voice.
Here we have the crux of the matter regarding Bob Dylan.
His rusty old tin-can-in-the-bin voice. That and his verging-on-criminal harmonica squawking.
A very good writer of memorable songs, both lyrics and melodies. But let’s face it, his appeal is despite his voice rather than because of it.
Well, that and the fact that he’s..shall we say less than generous in acknowledging his sources rather than outright theft?
I’m not in the Bob Dylan fan camp. Horrendously overrated.
Hog. And wash.
Well, if you don’t like the sound of his voice, you don’t like it. But I think on his best records, it is one of his great strengths. He makes you listen to the words, and creates a persona, or maybe different ones, which makes the songs convincing. Like all of the best singers he is also an actor when he’s performing (although I don’t think he’s much of an actor in films).
I’ve seen early films of Joan Baez singing along with Dylan, and her part drifts by without the words making any impact. When Dylan starts singing, the song comes to life. There is a sudden shift in the level of energy and commitment.
You are right on the money. It’s about expression over prettiness. On his greatest records he is a great singer. If you want an example try You’re A Big Girl Now off Hard Rain. Unbelievable.
Or I threw it all away or Dont fall apart on me tonight.
Adele?
I’ll give you that courtesy all those then sent, by parents like us, back to the source: who’s that old fucker?
Manfred Mann – The Mighty Quinn
?
Nico – I’ll Keep It With Mine. She makes it her own Simon.
Fairport’s version is vastly superior. It has a vocalist who can actually sing for a start.
🙄
Sinéad O’Connor – I Believe in You
Madeleine Peyroux – Gonna Make Me Lonesome When You Go. Really swings and brings out the natural poetry.
Yes. A fine version.
I like this one, too.
Beautiful.
Bryan Ferry.
The Byrds: Mr Tambourine Man
Jonny Marr: Don’t Think Twice, It’s Alright
Deffo Manfred Mann: If You Gotta Go….and Mighty Quinn.
Even bloody UB40 and Robert Palmer’s version was easier on the ear than Dylan.
I love Dylan’s songs, but I hate his voice and that bloody harmonica…
Richie Havens – Baby Blue.
Odetta
I’ve always love BF’s way over the top cover of “Hard Rain”. Bought it as a single in 1973.
With an alternative version of 2HB on the other side, which is better (IMO) than the Roxy Music album version.
I think it’s dire. He can’t do covers, like Bowie, that contrived singing style is brilliant on his own songs and hopeless on anyone elses.
Nay, nay, nay, he does great cover. Much more to him than These Foolish Things.
Try Dylanesque.
Bruce Foxton struggled outside The Jam.
His solo career was 1 album and 4 singles in 1983/84.
Not bad, but not The Jam (which the public, and probably Arista Records wanted).
He joined Stiff Little Fingers in 1991 and stayed for 15 years.
He then joined/formed his own tribute band – From The Jam – where he remains.
He had had a couple of solo albums in recent years that were pretty good – but solo in name only, the band backing him was basically From The Jam (plus sundry otheres including Paul Weller, Paul Jones and Wilko Johnson)
So if From the Jam has Paul Weller too, then surely it is The Jam? He was never going to have a stellar solo career after being in Weller’s shadow for so long. I thought he was a key member of The Jam though with backing vocals, occasional leads (and co-leads) and excellent bass playing.
Not a solo career (completely), but Jeff Tweedy went from second string in Uncle Tupelo to leader, singer, songwriter of all conquering Wilco who are a much better band than UT.
Also, the sadly late, Stuart Adamson did the same thing going from The Skids to Big Country,.
No Rick Buckler though.
He was an in early incarnation of From The Jam, but left when Bruce and Paul made up.
Are Rick and Paul totally at loggerheads then? Based on interviews and having met him (once) in a Woking pub, Rick seems quite a placid, easy-going type.
As I understand it, Rick still harbours a grudge.
Paul and Bruce both hit the point of “What’s the point. Life’s too short”
I think Paul is on record as saying he never even liked Rick when they were in The Jam together. Don’t expect any reconciliation anytime soon.
Weller does come across as a bit of a tw*t, can’t imagine it’s easy being in a band with him.
To answer the OP’s question, I wandered over to my CD cabinets to find a good example, but it didn’t take very long, because the Rolling Stones are only on the third shelf down.
To turn the question around, I find Terry Hall’s solo albums far more enjoyable than his albums with the Specials. I want to like the first two Specials albums, but apart from the singles, which are great, the rest of the albums just don’t do it for me. There are also at least half a dozen solo Wu Tang Clan albums that I prefer to any of the group’s albums, including their debut, although, to be fair, they had a lot of members, so there are a stack of solo albums to choose from.
As the Civil Wars, Joy Williams and John Paul White were poised to become the Next Big Thing when they broke up a few years ago. By all rumours and hints the breakup was pretty acrimonious and – so far – there has been no indication that the wounds have healed. JPW’s first solo album was good, his most recent one less so. JW’s solo debut was very disappointing. All of the solo albums – needless to say – missed the undeniable chemistry that JW and JPW together possessed. The two Civil Wars’ albums remain stunning, even if listening to them is a bittersweet experience, considering that there could have been so much more.
Prince was/is great in any context, and is essentially his own band, but there was a magical chemistry going on when he was with The Revolution.
The four core members of New Order.
Barney managed a half-decent solo career in Electronic, propped up by a certain J. Marr on guitar, and a mostly atrocious Bad Lieutenant who managed one half-decent NO-soundalike.
Hooky went from Revenge to Monaco, who similarly managed one NO-soundalike.
Gilbert & Morris became The Other Two. Hmmm.
I know others will disagree, but I’d also add the current arrangement of NO to the ‘must try harder’ pile. I regard the Hook/Sumner relationship similar to Lennon/McCartney. Sometimes you need someone to say “that’s not good enough”, however much you might hate them for it.
Phil Collins ? Listen to the drumming on a late in the day Genesis b-side , Do The Neurotic , to realise what a massive part of that band he still was / is …
Agreed, although I’m no Genesis fan. Great drummer. Awful singer.
I was playing John Martyn’s Grace and Danger only yesterday.
Don’t agree on Clapton, who has a long, varied and excellent solo career from Derek and the Dominos through the solo albums which are always listenable and sometimes superb (461 Ocean Boulevard anyone)? Then his championing his heroes – the BB King, Steve Winwood and JJ Cale albums are great. Plus many great live albums and charitable events such as Crossroads and flogging off his famous guitars. A true great bloke and musician, yes with his demons but also a shitload of sales, Grammys and awards. Plus did the best guitar solo on a Beatles album.
And let’s remember he’d already reinvented the blues and done Cream before he was 30. Phew.
Agree with you @Twang. Never understood why he gets slagged off – his solo career has been mostly excellent.