SDE:
Super deluxe edition, 3 CD+1 Blu-ray:
Disc 1: 2019 Stereo Mix
1. Come Together
2. Something
3. Maxwell’s Silver Hammer
4. Oh! Darling
5. Octopus’s Garden
6. I Want You (She’s So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty
Disc 2: Sessions
1. I Want You (She’s So Heavy) (Trident Recording Session & Reduction Mix)
2. Goodbye (Home Demo)
3. Something (Studio Demo)
4. The Ballad Of John And Yoko (Take 7)
5. Old Brown Shoe (Take 2)
6. Oh! Darling (Take 4)
7. Octopus’s Garden (Take 9)
8. You Never Give Me Your Money (Take 36)
9. Her Majesty (Takes 1–3)
10. Golden Slumbers/Carry That Weight (Takes 1–3 / Medley)
11. Here Comes The Sun (Take 9)
12. Maxwell’s Silver Hammer (Take 12)
Disc 3: Sessions
1. Come Together (Take 5)
2. The End (Take 3)
3. Come And Get It (Studio Demo)
4. Sun King (Take 20)
5. Mean Mr Mustard (Take 20)
6. Polythene Pam (Take 27)
7. She Came In Through The Bathroom Window (Take 27)
8. Because (Take 1 – Instrumental)
9. The Long One (Trial Edit & Mix – 30 July 1969)
(Medley: You Never Give Me Your Money, Sun King, Mean Mr Mustard, Her Majesty, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, The End)
10. Something (Take 39 – Instrumental – Strings Only)
11. Golden Slumbers/Carry That Weight (Take 17 – Instrumental – Strings & Brass Only)
Blu-Ray:
Audio Features:
– Dolby Atmos
– 96kHz/24 bit DTS-HD Master Audio 5.1
– 96kHz/24 bit High Res Stereo (2019 Stereo Mix)
2CD version:
Disc 1: 2019 Stereo Mix
1. Come Together
2. Something
3. Maxwell’s Silver Hammer
4. Oh! Darling
5. Octopus’s Garden
6. I Want You (She’s So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty
Disc 2: Sessions
1. Come Together (Take 5)
2. Something (Studio Demo)
3. Maxwell’s Silver Hammer (Take 12)
4. Oh! Darling (Take 4)
5. Octopus’s Garden (Take 9)
6. I Want You (She’s So Heavy) (Trident Recording Session & Reduction Mix)
7. Here Comes The Sun (Take 9)
8. Because (Take 1 Instrumental)
9. You Never Give Me Your Money (Take 36)
10. Sun King (Take 20)
11. Mean Mr Mustard (Take 20)
12. Polythene Pam (Take 27)
13. She Came In Through The Bathroom Window (Take 27)
14. Golden Slumbers/Carry That Weight (Takes 1–3 / Medley)
15. The End (Take 3)
16. Her Majesty (Takes 1–3)
3 LP
LP ONE: Side 1 (2019 Stereo Mix)
Come Together
Something
Maxwell’s Silver Hammer
Oh! Darling
Octopus’s Garden
I Want You (She’s So Heavy)
LP ONE: Side 2 (2019 Stereo Mix)
Here Comes The Sun
Because
You Never Give Me Your Money
Sun King
Mean Mr Mustard
Polythene Pam
She Came In Through The Bathroom Window
Golden Slumbers
Carry That Weight
The End
Her Majesty
LP TWO: Side 1 (Sessions)
I Want You (She’s So Heavy) (Trident Recording Session and Reduction Mix)
Goodbye (Home Demo)
Something (Studio Demo)
The Ballad of John and Yoko (Take 7)
Old Brown Shoe (Take 2)
LP TWO: Side 2 (Sessions)
Oh! Darling (Take 4)
Octopus’s Garden (Take 9)
You Never Give Me Your Money (Take 36)
Her Majesty (Takes 1–3)
Golden Slumbers/Carry That Weight (Takes 1–3) / Medley)
Here Comes The Sun (Take 9)
Maxwell’s Silver Hammer (Take 12)
LP THREE: Side 1 (Sessions)
Come Together (Take 5)
The End (Take 3)
Come and Get It (Studio Demo)
Sun King (Take 20)
Mean Mr Mustard (Take 20)
Polythene Pam (Take 27)
She Came In Through The Bathroom Window (Take 27)
Because (Take 1 Instrumental)
LP THREE: Side 2 (Sessions)
The Long One (Trial Edit & Mix – 30 July 1969)
Something (Take 39 – Instrumental – Strings Only)
Golden Slumbers/Carry That Weight (Take 17 – Instrumental – Strings & Brass Only)
Abbey Road’s Super Deluxe box set presents 40 tracks – including “The Long One” Trial Edit & Mix for the album’s epic Side 2 medley – on three CDs (stereo) and one Blu-ray disc (Dolby Atmos, 96kHz/24 bit high resolution stereo, and 96 kHz/24 bit DTS-HD Master Audio 5.1). The four discs are housed in a slip-sleeved 12” by 12” 100-page hardbound book with McCartney’s foreword; Martin’s introduction; insightful, in-depth chapters written by Beatles historian, author, and radio producer Kevin Howlett covering the months preceding The Beatles’ Abbey Road sessions, track-by-track details and session notes, the cover art and photo shoot, and the album’s reception upon its release; plus an essay by music journalist and author ***David Hepworth*** looking at the album’s influence through 50 years. The gorgeous book is illustrated with rare and previously unpublished photographs, including many taken by Linda McCartney; never before published images of handwritten lyrics, sketches, and a George Martin score; Beatles correspondence, recording sheets, and tape boxes; and reproduced original print ads. The Super Deluxe digital audio collection presents all 40 tracks for download purchase and streaming in standard and MFiT formats, as well as in high resolution audio (96kHz/24 bit) for download.

£81 on the Dodgers. This is the only place I could say this, but that seems quite reasonable.
Ordered.
I’m in.
Amazon Canada had the SDE briefly for $37 yesterday (about 25 quid), I wasn’t going to get it, but couldn’t refuse that price! Will see if they honour it.
And it’s 50 years today since 4 blokes crossed a road for a photo.
Abbey Road is my favourite Beatles album and alternates with The Man-Machine as my all-time favourite album, and yet I’ve only just learned that it’s 2 days younger than I am. So that’s my 50th birthday box sorted then! Although I wonder if it’s been wondering how on Earth it’s nearly 50, like I have been?
The webcam has been showing the current crossing being mobbed all day.
https://www.abbeyroad.com/crossing
I popped down this afternoon, on my way to Lords for the T20. Fell into conversation with a guy in full ‘69 Lennon garb (white suit, long of hair and beard) about why we all felt we should come and commemorate.
It was also my 40th birthday today. I’ve been on a real Beatles jag of late and it was a nice thing to stand and think of them 10 years to the day my birth, exhausted by the most intensely influential and creative decade a band ever had, waiting to stride across a then unheralded crossing which is now the bane of all cab drivers’ lives and effectively end it all, bar a few desultory shots at Tittenhurst later in the month.
I even went up the road a bit, where the real crossing used to be, and felt a bit smug about it. I love The Beatles.
Was it the ‘John’ in the first photo here?
https://www.theguardian.com/music/2019/aug/08/beatles-cover-band-recreate-abbey-road-picture-50-years-on
https://www.rollingstone.com/music/music-news/beatles-abbey-road-super-deluxe-edition-868805/
Their best selling album is by miles and miles their weakest. That’s a fact.
That’s amazing. Your fact is so wrong it’s almost as if you are… some kind of… I don’t know, a touchstone of errors? A keystone of wrongitude? A lodestone of…. oh, yes I see!
Yes easily the finest album the Beatles never recorded.
I love it so much I shan’t be buying this. I’ve since learned the lesson that if it wasn’t good enough to be included the first time then there was probably a good reason for it. Unlike Dylan the Fabs had a pretty good sense of their finest takes and tunes.
1 is a great album.
I prefer 20 Greatest Hits
I prefer Die Mooiste Songs.
Me too! That was the one in the car while I was growing up. For some reason it really, really pushed We Can Work It Out to the forefront for me. I still think that single is the hinge of the whole beautiful endeavour. A portal through which they dragged pop music…
Many belated happy returns. Life begins at 40, well mine did. Easily my best decade so far, with my 50s now in close sight.
No such thing as facts when it comes to opinions on music.
And that’s a fact
The sessions discs look worth a listen – hopefully they’ll appear on Spotify like the white album and Pepper ones have.
Having said that, a few of them look as if they’ve already surfaced before on the Anthology, like the original Something and Come And Get It. I do get the impression that with Abbey Road they made the most of polishing up a paucity of material, and there isn’t really much of significance on the cutting room floor.
I mean, it’s a great album (probably the best album of 1969 as my poll will demonstrate once I eventually getting round to collating the results) but it has a real sense of “we don’t have much left in the tank so let’s just make the very best out of what we have”.
Really, has any other band, on the point of splitting up, ever put aside their differences as well and made such a convincing last ditch effort at creating something of value?
If anyone hasn’t heard “Goodbye”, by the way, go look it up. It’s a terrific little Paul song in the same jaunty acoustic vibe as Blackbird, Her Majesty, Mother Nature’s Son, etc. Not quite grade A Beatle product, but a great song. I can’t remember who he gifted it to. Cilla Black or someone?
There is a little acoustic ditty/jam he did with Donovan in the same era called “Heather”. I would have expected to see that here. Or was that on the white album sessions disc?
Mary Hopkin
Looks like CDs 2 and 3 are pretty short as content fits on LPs. Interesting that in the 2 CD version the 2nd CD has more tracks than the ones in the SDE
They COULD have filled up the “Sessions” discs with the singles and all those “Anthology” tracks from the era (I’ve just tried it and bingo: it’s two 79 min. discs!), but they obviously tried to match the vinyl edition (fools…).
On the other hand, Apple has probably already mapped out a “Complete Remixed-for-earphones Singles” set, and the inevitable 10-disc “Anthology Box” (or was that “Archeology”…?)
….no, that was The Rutles. (Now there’s an album.)
Who was it that wrote that terrific review of Abbey Road on here a while back? Oh yes here it is:
And an earlier discussion thread:
You can imagine it easily; that swirling Bridget Riley vortex, that stirring late 60s theme tune, a figure falling through time and space, tumbling, tumbling, head over heels into some distant instance of existence, landing on their feet in a past year and hearing: “Here comes the sun…..”
Abbey Road is the elixir – “Drink me and be 17 again” – that does it for me every time. I’m in the music room at Rose & Liz’s house; their dad’s amp is warmed up and the Dual stylus has just landed at the outer rim of side two of my friend Allen’s much loved copy of Abbey Road – thok – teck – teck – silence – anticipation – silence – and then the song begins. The french windows are open and it’s a glorious summer afternoon. We might go down to the bottom of the garden and thwack a few tennis balls around later, but first we’ll put our feet up and wallow in the sheer brilliance and glory of the Beatles at their absolute best. Marvellous.
Show me the Tunnel, I’m jumping in. There’s nothing like it here in 2019, it was better then.
Not necessarily better, but being young is the thing.
“Show me the tunnel” – hurrrrrrrrrrrr
https://music.youtube.com/playlist?list=OLAK5uy_lUoUYjCK5MXkLhl2D7gTvnv1rIjC39qrw
I should have added, ‘here’s a sneak preview’ to that link above……
I wonder, are we heading for the 60th anniversary remixed Please Please Me in 2023? And what will they do come 2027 for Pepper?
A backwards version. In mono.
Finally include Only a Northern Song
ALL the raw multi tracks! They’ll have to do this one day once they’ve totally scraped the barrel with everything else.
Carnival of Light at some point before that however.
Be careful what you wish for. Carnival of Light, I confidently predict, will be turn out to be crap enough to make What’s The New Mary Jane sound like Strawberry Fields Forever.
Steve’s the man…
https://www.theguardian.com/commentisfree/picture/2019/aug/08/steve-bell-on-50-years-since-the-beatles-abbey-road-album-cartoon?CMP=Share_AndroidApp_Copy_to_clipboard
I notice that this features the great Dolby Atmos, one of the finest exponents of the anal crumhorn that Wiltshire has ever produced. He’s on She Came In Through The Bathroom Window, one assumes.
2-cd version for £15 will be fine and, presuming Sainsbury’s stock it, it looks like it might be my first “new” purchase of 2019. I’ll play disc 2 on rotation for 5 days and then relegate it to the back room with the Pepper and White Album releases.
The lady in our village who sells jam and marmalade via an honesty box has better business sense than the Record Industry and I suspect she is making more money.
I had a thought. Yes it’s a great album and yes we all have it in our collections in some format or other. Personally I’ll buy the 3lp version and enjoy the selected outtakes and whatnot. There’s something for everyone to choose at one’s fancy.
My thought was this: let’s be thankful for small mercies. In these times of holier than thou, politically correct or else and suchlike nonsense, Paul’s cigarette is still there on the cover. I’ll gladly settle for small details and delightful sounds in the grooves.
I initially read that as you were going to buy the “31p” version – thought you must have found an incredible deal on the dodgers or expecting this to be in the chazza’s a bit too soon…….
Why can’t we get the book with the LPs?
That’s really fucked.
A comment above from @The-Muswell-Hillbilly about the crossing being ‘moved’ since the cover photo reminded me about this terrific article about the photo shoot – it’s a long read but fascinating. I had always believed the crossing had been moved, but apparently not from the evidence here…? Anyway, this is a great read for Beatle nerds like me!
http://wogew.blogspot.com/p/abbey-road-road-that-goes-on-forever.html
And then there’s the guy who visited every Abbey Road in England:
https://www.vice.com/da/article/rq4943/this-obsessive-beatles-fan-has-visited-every-abbey-road-in-england