Author:Liz Pelly
The point at which art intersects with business has always been fraught, and Liz Pelly is unequivocal in that she observes “commercialism infecting creativity”. Described in the Washington Post as “the most lucid and rigorous critic of the rot at the heart of an apparently magical service” Pelly’s book is a 288 page diatribe that sees no redeeming features in the worlds biggest streaming service.
Across 30 chapters Pelly comes out swinging, and there are several times when she connects with deserving targets. She rightly lampoons founder Daniel Ek’s claims that he was a frustrated musician on a mission to save music. Ek wanted to find an online service that would build user engagement and become a vehicle to sell advertising. Music became the focus mostly because the file sizes were manageable. That he was able to is largely because record companies, slow, complacent and luddite, failed to figure any of this out for themselves. That’s enough for Pelly to go on to dismiss any redeeming narrative about how streaming has otherwise enabled music to survive and indeed prosper given the almost fatal impact illegal downloading had.
Another deserved target is Spotify’s Discovery Mode which offers algorithmic promotion » Continue Reading.




